France should return much more: 26 is ‘humiliating’, says Dahomey film

In Mati Diop’s film Dahomey, which premiered at the Berlin film festival, the director documents the 2021 journey of 26 treasures that the commander of French forces in Senegal looted from the royal palace of the kingdom of Dahomey, part of modern-day Benin, in 1890.

Diop’s film not only records the joyous celebrations marking the objects’ arrival in Benin’s economic capital of Cotonou, but also shows young people debating the moment’s significance, given that thousands more artefacts remain in European collections.

“Restituting 26 works out of 7,000 is an insult,” one student says.

Diop herself: “These 26 works are good, but it’s not enough. It’s quite clear that there were way too few compared with the 7,000 works held captive in these museums, and I certainly think that it is humiliating.”

Musée du Quai Branly, France’s largest ethnological museum, holds 3,157 other objects from Benin in its collection. More are believed to reside in smaller museums and private collections.