Review: Dan Hicks’s The Brutish Museums

The debates on the ownership of contested cultural objects bring forth questions regarding the representation of history. But might these debates also lead to the fabrication of history?

Staffan Lundén argues that previous research has analyzed how the British Museum’s anti-restitution position contributes to its distortion of British (Museum) history.

Instead, his article considers if – and, if so, how – history is distorted to argue for restitution. It examines the eulogized publication

The British Museums (2000) by Dan Hicks asking whether his claims regarding British mass atrocities in the conquest of Benin in 1897 can be substantiated by the documentary evidence.

The investigation shows that this is not the case.

The review also scrutinizes what the source material reveals about the death toll of the events of 1897.

Lundén’s criticism makes The Spectator wonder  whether the tide is turning on restitution.