They ‘may also be eligible for return’, but the assessment committee will ‘weigh the interests of the various parties’.
In practice, the weighing of interests usually turns out to be beneficial to the possessor of the artworks, thus adding insult to injury to the already frustrated claimants.
As a matter of principle, it could be argued that it is hard to justify the aforementioned distinction between claims in the context of Nazi-looted art on the one hand and claims regarding colonial art on the other.
