Amir Al-Khafaji writes: Western museums stripped my homeland (IRAQ) of its ancient soul under the banner of "civility." Today, they hold my ancestors’ legacy behind paywalls.
Nigerian art curator Yahuza Rabiu Garba argues: We need to decolonize our understanding of heritage spaces. The Eurocentric model insists on the "four walls" idea, a quiet archive where artifacts are curated to be looked at, but never touched. But...
