The MFA distinguishes five theft categories: garden-variety theft, archaeological looting, wartime pillage, state expropriation, and sales under duress or other forcible transfers. The last form the most expansive category.
What’s in a name? The language we use tells us who is speaking, from what perspective, and (implicitly), who controls the narrative. Names, in short, have power.
For Indigenous museum visitors, long-prevalent display methods like ‘wonder cabinets’ or ‘white cubes’ can be an alienating way to encounter their cultural heritage. This article will illustrate how exhibition designers are influenced by the colonial imagination, a term we use for the settler mythology behind imperial ambition, both historical and contemporary.
The American Alliance of Museums has brought out a special issue Museum as part of a larger project exploring the next horizon of museum practice with regard to voluntary repatriation, restitution, and reparations. The articles in this issue provide a window into practices regarding the Benin-objects, lost items of the Yaqui, voluntary returns, and the application of NAGPRA.
