[in English, in Portuguese] Pedro de Niemeyer Cesarino and Lucas da Costa Maciel raise important questions: What if so-called objects in museums are not just that? What if they refuse such constraints?
The purpose of this article by Mirosław M Sadowski is to take a closer look at such instances of return of cultural heritage, by particularly focusing on the relationship between the matters of return and the questions of identity and collective memory in this respect. With case studies from Brazil and Angola.
The purpose of this article is to take a closer look at such instances of return of cultural heritage, by particularly focusing on the relationship between the matters of return and the questions of identity and collective memory in this respect. The third part focuses on the question of repatriation of cultural objects removed during the times of colonialism.
The theft of the Louvre’s crown jewels has increased calls for the museum to be more transparent about the colonial origins of the treasures it displays. Their routes to Paris run through the shadows of empire, an uncomfortable history that France has only begun to confront.
This working paper provides an analysis of grounds for return and restitution frameworks based upon them in different national contexts. One European policy context, namely the German, is analyzed alongside three Latin American legislative contexts: the Argentinian, Chilean, and Brazilian.
(Re)collecting Natural History in Europe is a research project that examines how natural history and ethnographic collections are curated and displayed, with a particular focus on European museums.
One of the most preserved among the eleven remaining mantles of the Tupinambá native people will definitely return to Brazil. By the end of 2023, the treasure made with red feathers of the scarlet ibis will leave the ethnographic collection of the Nationalmuseet, the National Museum of Denmark, and will join the collection of the National Museum in Rio de Janeiro.
A sacred cloak that had been in the holdings of the National Museum of Denmark for more than 300 years was returned to Indigenous leaders in Brazil. The nearly six-foot-long cloak was constructed using 4,000 scarlet ibis feathers. It was taken from the Tupinambá people during Portuguese colonial rule.
