Heba Abd el Gawad writes: There is a point at which professional detachment becomes impossible. As a member of a community of descent as well as a curator, when I enter the Horniman store, I am not simply surveying collections. I am standing in the presence of my own kin. I encounter my Egyptian ancestors in spreadsheets, acid-free boxes and collection management plans.
David Abulafia writes: The history of the Rosetta Stone is not simply an Egyptian history. The inscription in three scripts, hieroglyphic, the less formal hieratic script, and classical Greek, is humdrum.
The Georg Steindorff Collection, comprising 163 objects, is a central, yet complex, component of the Egyptian Museum-Georg Steindorff at Leipzig University. The “loss” for Georg Steindorff’s family was placed at the forefront of this restitution of Nazi-looted art, while the original, broader loss of heritage for the country of origin (Egypt) due to colonial practices was sidelined.
From the crowns of Ethiopian emperors held abroad to the mummified remains of African ancestors still stored in Western institutions, the theft of Africa’s sacred heritage represents a deeper violence. Those which we speak of, are not mere museum exhibits; they are vessels of ancestral power and collective memory. Their continued displacement denies Africa’s children the right to know and connect with their lineage.
The opening of the Grand Egyptian Museum comes with renewed calls for restitution: the famous Nefertiti bust, in Berlin since 1913, and the Stone of Rosetta, in London since 1801. Differing points of view.
[ in Dutch ] Last Saturday, the Grand Egyptian Museum (GEM) opened in Cairo. German President Frank-Walter Steinmeier was also in attendance. The world's largest archaeological museum displays more than 100,000 art treasures from Egyptian history, but one important piece is missing: the bust of Queen Nefertiti. It has graced the walls of Berlin for over a century.
BREAKING: Three shrunken heads of South American persons and one hand of a mummified person from Egypt are currently offered by Hannam's Auctioneers, The Old Dairy Norton Farm, Selborne, GU34 3NB, Hampshire, UK.
Paul Dailey (Guardian Australian columnist) writes: Bodies and body parts have long been part of collections of imperial plunder over the years – but museums must understand that attitudes have moved on.
An institution is asking its visitors for their view: The Manchester Museum is running a public consultation about the future of Asru, a woman who lived in Thebes, southern Egypt
The repatriation of African art is gaining momentum, but a number of highly important and symbolic pieces remain in the hands of the continent’s former colonisers.
European governments negotiate restitutions only with the governments of countries of origin. The collections they negotiate usually are state-owned and contain valuable, not rarely iconic objects. The path followed by governments of former colonies is quite similar. It is the path of what Laurajane Smith called the authorized heritage discourse (AHD), where only a limited part of a country’s heritage dominates in national narratives and public policies. This approach has serious limitations.
This essay proceeds from the observation that the “Egypt” portrayed in museums and school education misrepresents the lived realities of modern Egyptians, their experiences, and their expectations concerning Egypt’s past and present.
A foundational handbook for critical heritage research about Africa and its diaspora. Part III African Objects and the Global Museum-Scape is relevant for RM*.
The story of the discoveries is being told for the first time by Elisabeth Goring and her successor, Dr Margaret Maitland, in the Proceedings of the Society of Antiquaries of Scotland of 30 November 2023.
Semley Auctioneers – based in Dorset – have made 18 skulls available for auction and estimate each skull will be sold for between £200 and £300. The auction is scheduled to take place on 18 May 2024.
Egypt has launched an international petition to repatriate the 3,400-year-old bust of Queen Nefertiti from Berlin, marking the latest effort in its long-standing campaign to reclaim its stolen artefacts.
