News about colonial collections and restitution

RM* reports news about collections from former colonial territories and their future.

RM* enables heritage lovers to inform themselves about developments in this field and reduces the knowledge gap between the global south and the global north.

RM* is for all heritage enthusiasts around the world – both professionals and others – concerned with decolonising collections from colonial areas. 

Filter by content type
Lewis McNaught writes: Britain’s Department for Culture, Media and Sport (DCMS) will review the exclusion it imposed on national collections that prevents them from returning cultural objects on moral grounds. The review provides an opportunity to reverse an unwelcome inconsistency in the UK Charities Act 2022.
President John Dramani Mahama has sent a clear message to the international community: the time for "ceremonial language" regarding Africa’s historical injustices is over.
The Louvre will restore Empress Eugénie’s crown, which was damaged during the $102 million heist in October 2025. Experts found the diamond-and-emerald crown deformed, but most stones remain intact after violent theft.
During negotiations in the 1960s about a new relationship, DR Congo claimed the archives with information about its rich natural resources. Belgium was not prepared to do so. The documents, housed at the AfricaMuseum are now being sought by DR Congo and KoBold Metals, a Bill Gates-backed mining and artificial intelligence company that struck a deal last year with Kinshasa to digitise them.

Dedicated to a mask, its maker and first users

Long ago, I held this Congolese mask in my hands. The dealer claimed it to be very old; he was keen to sell it. But unlike other wooden pieces, which he offered for little money, he asked a big sum for this one. Perhaps, it was indeed old and valuable. Back then, the mask struck a chord with me. Nowadays, it still does.

Thomas Laely writes: The debate on the repatriation of (in)tangible cultural heritage and belongings has developed a broad dynamic in recent years. This sudden activism raises questions. What is its background, what are the goals behind it, and how are they to be achieved? Is it primarily about African or rather European interests?
Repatriation is urgent and important work and should be recognised as one of the UK museum sector’s top priorities. It is widely acknowledged that a lack of funding and capacity are two of the main reasons that more museums in the UK do not engage with repatriation, writes Amy Shakespeare.
"Relooted" sees a group of vigilantes reclaim looted African artifacts from Western museums.
[in French] The 60-page guide is meant for directors and scientific officers of museums in France, and public collections under the jurisdiction of the Ministry of Culture. The guide focusses on Nazi-looted art works, human remains, colonial collections and the ongoing illicit trade in art and antiquities.