News about colonial collections and restitution

RM* reports news about collections from former colonial territories and their future.

RM* enables heritage lovers to inform themselves about developments in this field and reduces the knowledge gap between the global south and the global north.

RM* is for all heritage enthusiasts around the world – both professionals and others – concerned with decolonising collections from colonial areas. 

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Vishakha N. Desai writes: The return of looted artworks shows India is no longer treating restitution as a zero-sum recovery, but as a negotiating tool that asserts ownership while deploying art as soft power.
Barnaby Phillips: The decision by the university’s Museum of Archaeology and Anthropology to return looted Nigerian treasures leaves larger institutions increasingly isolated. Which museum will be the next one? Uwa Igbafe: This case reflects a gradual transition from legal acknowledgement to the actual transfer of artefacts.
The Shanghai University’s Research Centre for Chinese Relics Overseas has completed evidence-based research proving that a precious cultural relic currently in Japan belongs to China, and has urged - with support of Japanese cultural groups - Japan to promptly return it.
Restitution of cultural property is gaining momentum across Africa, framed not as symbolic but as a fundamental right. Senior officials, ambassadors, scholars, and international representatives gathered in Addis Ababa to debate restitution as a pillar of justice and identity.

Dedicated to a mask, its maker and first users

Long ago, I held this Congolese mask in my hands. The dealer claimed it to be very old; he was keen to sell it. But unlike other wooden pieces, which he offered for little money, he asked a big sum for this one. Perhaps, it was indeed old and valuable. Back then, the mask struck a chord with me. Nowadays, it still does.

[in Spanish] The exhibition "Hotel of the Plundered Artifact" at the National Museum of Anthropology in Madrid reinterprets the history of the colonizers in Africa through the collections, with care and new ways of listening.
Ed Gaskin writes: History is often taught as if serious art followed a single European arc—from classical Greek sculpture to Renaissance realism to modern museums—while Africa appears late, peripheral, or confined to masks and ritual objects. This framing is not only incomplete; it is false.
Restitution debates – the question of whether a cultural object should be returned from a museum or other collection to a person or community – often begin with a deceptively simple question: who owns an object?
In the column, Alexander Hermann takes a look at the principle of INALIENABILITY that applies in many countries, barring the removal of cultural objects from #museum collections, including for purposes such as #restitution.