News about colonial collections and restitution

RM* reports news about collections from former colonial territories and their future.

RM* enables heritage lovers to inform themselves about developments in this field and reduces the knowledge gap between the global south and the global north.

RM* is for all heritage enthusiasts around the world – both professionals and others – concerned with decolonising collections from colonial areas. 

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On 1 July 2026, Bolivia Archaeology National Museum (Munarq) reopened its doors with the permanent exhibition ‘Eternal Roots, Living Legacies,’ an exhibition that highlights the connection between pre-Hispanic customs and current traditions of the Andean country. It also has a section about repatriation.
Australia’s High Court has upheld the forfeiture of the pre-Columbian basalt artefact under the Protection of Movable Cultural Heritage Act 1986 (Cth) (the Act), despite the cultural object having been exported more than 30 years before the Act came into force.
[in German] In a festive ceremony, the Governor of the Erongo Region, Nathalia /Goagoses, accepted the "Usakos Railway Workers' Collection" collection on behalf of the Republic of Namibia. A Swiss railway engineer and his wife collected them between 1903 and 1905 in a context of colonial violence.
The most important is the Quran of Samory Touré, one of Guinea's leading figures of resistance against the French colonial conquest. It is Guinea's first restitution request since 1968.

Dedicated to a mask, its maker and first users

Long ago, it was in Goma (DR Congo), I held this Congolese mask in my hands. The dealer claimed it to be very old; he was keen to sell it. But unlike other wooden pieces, which he offered for little money, he asked a big sum for this one. Perhaps, it was indeed old and valuable. Back then, the mask struck a chord with me. Nowadays, it still does.

Ireland has never had a formal mechanism for determining restitution or repatriation claims. However, this may change with the recent publication of a report from the Advisory Committee on the Restitution and Repatriation of Cultural Heritage. Ronan Bergin thinks it is a 'refreshing advice:
Nepali content creator Nikki Thapa writes: Decades of looting turned living Deities into costly global commodities, but the era of quiet disappearance is giving way to one of recovery and return.
Drawing on his broad research, Chipangura explores how ethnographic museums holding African collections are confronting the enduring consequences of colonialism. His presentation moves beyond familiar debates on restitution and repatriation, asking a more fundamental question: What are museums for, and whom do they serve?
[in French] Vicky Victoire Muke (Kinshasa Uni) shares a new preliminary study devoted to the colouring materials of the costumes and heritage fabrics of the Democratic Republic of Congo, based on the inventory records of the Musée du quai Branly - Jacques Chirac. His questions: How did you dye a kuba loincloth a century ago? Where does the deep red of mbuti adornments come from? And why is mangbetu black called "earth pigment"?

The Warlpiri Project and Yuendumu community uses repatriation to create a better future for the next generations

Since 2019, a number of sacred objects and ancestral remains have been repatriated to the Warlpiri people of Yuendumu community north-west of Alice Springs in the middle of Australia. For them repatriation is about healing the community, but in particular healing the young men and women of their community, writes Jamie Hampton*. In this Blog, he shares his story about the Yuendumu community and how repatriation has helped them heal from past injustices, providing pathways for the next generations of Warlpiri to ensure they live a life grounded in culture in a changing world.

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Namibia pursues genocide compensation with a focus on restitution

While Germany appears keen to expedite the conclusion of the negotiations with Namibia concerning the genocide committed against the Ovaherero and Nama communities between 1904 and 1908, the Namibian position reflects that the matter remains unresolved. Namibia continues to advocate for a comprehensive reparative framework grounded in five key elements: restitution, compensation, rehabilitation, guarantees of non-repetition, and satisfaction. Sarah Negumbo, the Director of Namibia Library and Archives Service, provides further insight into the historical, legal, and ethical dimensions underpinning these demands.

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