Leading academic, Gloria Bell, argues that the Vatican is not only stalling on Pope Francis’ promises of restoring the looted artifacts — but continues to falsely 'refer to everything in their collection as a ‘gift.’
'Mobile Heritage' explores how diverse digital technologies have allowed for new types of mobilities and introduced a novel set of practices, interventions, and politics for heritage collections, archives, exhibitions, entertainment, conservation, management, commerce, education, restitution, activism, and regulation. With a case-study about digitalised ancient manuscripts from Ethiopia in the British Library.
[ in Italian ] From the dawn of Italian exploration in Africa and throughout the colonial period, objects and samples from overseas came to the Peninsula, finding their way into temporary exhibitions and more than one hundred permanent displays, where they were studied, described and presented to the public.
This gold crown with stunningly delicate filigree belonged to Emperor Tewodros II, the King of Kings of Abyssinia. It was the most remarkable artefact looted during the British Army’s 1868 siege of Maqdala, the king’s hilltop fortress capital.
The repatriation of African art is gaining momentum, but a number of highly important and symbolic pieces remain in the hands of the continent’s former colonisers.
The Paris museum has invited African researchers to study the archives of the expedition, which took place between 1931 and 1933, and to carry out field studies to retrace the conditions of the undercover raid on artifacts.
Resistance hero Ras Desta Damtew was executed by Italian fascists in 1937, after which some of his belongings are believed to have been stolen. Now his grandchildren and the Ethiopian government are fighting to bring them home.
European governments negotiate restitutions only with the governments of countries of origin. The collections they negotiate usually are state-owned and contain valuable, not rarely iconic objects. The path followed by governments of former colonies is quite similar. It is the path of what Laurajane Smith called the authorized heritage discourse (AHD), where only a limited part of a country’s heritage dominates in national narratives and public policies. This approach has serious limitations.
A team of museum directors, researchers and scholars has been conducting a “census” of the collections in the 498 Italian state museums to get a handle on what exactly they contain.
Buckingham Palace has declined a request to return the remains of an Ethiopian prince who came to be buried at Windsor Castle in the 19th Century. Prince Alemayehu was taken to the UK aged just seven and arrived an orphan after his mother died on the journey.
Unlike the British Museum and other UK national museums, the Royal Collection is able to deaccession, provided that this is advised by its trustees and authorised by the monarch. The collection is not owned personally by Charles, but he holds it in trust as sovereign to pass on to his successor.
Prince Ermias Sahle-Selassie, the grandson of Ethiopia’s last emperor, will ask the universities of Oxford and Cambridge to return artefacts stolen by British soldiers in 1868.
An exquisite diptych which links Albrecht Dürer and Christian Ethiopia is being investigated at the British Museum, raising a fascinating story of cross-cultural links.
Joint research on the 1868 Maqdala expedition led us to question assumptions about the legacy of empire in museums and to scrutinise unexpected connections in the history of museum collections.
Why is research into colonial collections in the private sector - I mean art dealers, auction houses and private collectors - so tough? The main reasons is that most of them have built a wall around themselves, and there is rarely a hole in this wall through which an outside observer can look inside their closed bulwark.
During the European expansion constant fighting and violence and the taking of spoils of war went hand-in-hand. Palaces, shrines, homesteads and entire villages were plundered and destroyed. In the restitution debate, the focus is mostly on state-collections resulting from these confrontations. There is ample evidence, however, that many more parties were involved. This blogpost has some of the evidence.
In 1863, Emperor Tewodros II of Abyssinia took a British consul hostage; five years later, the British sent a punitive expedition. This military expedition shaped later campaigns in Sudan and West Africa in the1890s. What was new for Maqdala was the inclusion of a member of staff from the British Museum.
Almost nine decades after it was stolen by Benito Mussolini’s fascist regime, the Italian government has officially returned Ethiopia’s first plane, named Tsehay in honour of the princess daughter of Emperor Haile Selassie.
A group of 11 sacred Ethiopian altar tablets, which the museum acknowledges were looted by British soldiers after the Battle of Maqdala in 1868, have never been on public display and are considered to be so sacred that even the institution’s own curators and trustees are forbidden from examining them.
Lewis McNaught investigates why the British Museum, which already has the authority to return a collection of Tabots (sacred objects) to Ethiopia, is failing to comply or explain why it won't return the Tabots.
Your auction is soaked in blood—give back Ras Desta Damtew’s medal: An open letter to La Galerie Numismatique in Lausanne. The medal was stolen by a Fascist army invader, its proper recipient unlawfully executed, and now your event practically celebrates the theft and murder.
