It is well known that Australia's police perpetrated violence against First Nations throughout the colonial period, but their role in supplying Indigenous ancestral bodily remains and cultural heritage objects to domestic and overseas museums is little understood, nor too is whether they exceeded or abused their powers in doing so.
The purpose of this article is to take a closer look at such instances of return of cultural heritage, by particularly focusing on the relationship between the matters of return and the questions of identity and collective memory in this respect. The third part focuses on the question of repatriation of cultural objects removed during the times of colonialism.
“The university regards these historical facts with the utmost gravity, reflects on them with sincere remorse, and hereby expresses our heartfelt apologies.” A process of repatriation has started.
Phillip Ihenacho, director and chairman of the Museum of West African Art (MOWAA), has watched the restitution debate unfold with both pride and concern. Pride, because it signals a long-overdue recognition of West Africa’s cultural heritage; concern, because too often the conversation is shaped by Western priorities rather than African ones.
[ in English, in German } Thomas Fues sees many positive elements in the Joint Guidelines. which the federal government, the states and local authority associations adopted on 14 October 2025. They have some good guidelines but challenges remain as well.
Join this event - organised by the Europeana Communicators Community - to hear museum professionals across Brazil and Europe explore issues of repatriation, decolonisation, and representation of Indigenous voices.
The Vatican is working with the Canadian Catholic Church to return 62 Indigenous objects, says Gilbert Whiteduck . He is the education director and former chief of the Algonquin community Kitigan Zibi Anishinābeg, in western Quebec.
Yesterday, RM* published an item about the repatriation by museums in Great Britain of shrunken heads to Ecuador. Lewis McNaught explains that this is easier said than done. Given the particular cultural contexts of tsantsas (both making and taking), the need for further research and analysis have been agreed. According to him, no repatriation requests have been made to date and given the number of different groups involved, any future process is likely to be extremely complicated.
Julien Volper, acurator at the Royal Museum for Central Africa (Tervuren, Belgium), is writing here in a personal capacity: The Dutch restitution of Benin objects, earlier this year, was motivated by Dutch self-interest, both of the government and of the museum that has to let go a collection.
Elias Feroz interviews Dan Hicks: Monuments, museums, and cultural institutions were often created in the image of “militarist realism,” presenting colonialism and enslavement as eternal. Undoing this legacy is not erasing the past but combating a pernicious ideology.
From the crowns of Ethiopian emperors held abroad to the mummified remains of African ancestors still stored in Western institutions, the theft of Africa’s sacred heritage represents a deeper violence. Those which we speak of, are not mere museum exhibits; they are vessels of ancestral power and collective memory. Their continued displacement denies Africa’s children the right to know and connect with their lineage.
Kwame Opoku looks back at the year 2025. Two fragments, one about the Western dedain for looted objects and human remains. The other about a publication of Open Restitution Africa. But first, a positive event.
Several UK museums considering the future of “tsantsas” – also known as shrunken heads – in their collections following a visit by representatives of Shuar people from Ecuador, from whom the items originated. The delegates engaged with 68 human and seven animal tsantsas during their visit, along with other Shuar cultural objects.
Oba Ewuare II today, during a courtesy visit to the Government house spoke explicitly on the proposed plan to build Benin Royal Museum which the past Governor of the state, Mr. Godwin Obaseki converted to EMOWAA and later MOWAA.
It is the final conference of Pressing Matter, in partnership with the Research Center for Material Culture (RCMC) and the Wereldmuseum. Min theme: Rethinking the Restitutionary Moment: What Next? On 27 and 28 November in Leiden. On 26 November, Achille Mbembe will speak in Amsterdam.
In an address at the 2025 Conference of the African Bar Association (AfBA) in Accra, Chief Charles A. Taku of the AfBA Reparations Committee, made an impassioned appeal for what he termed “The Accra Declaration” — a continental demand compelling Europe and the West to pay reparations for the centuries of slavery, colonialism, and cultural theft inflicted upon Africa and its peoples.
The International Seminar on the Return of Cultural Heritage under the auspices of the 2025 Brazil BRICS Presidency will take place on 10 and 11 November and is organized by the University of São Paulo [ USP ].
The cultural goods – a carved wooden stick, a divination basket, and a bovine astragalus amulet - were originally owned by the Nkuna royal family of Limpopo and used in ritual and spiritual ceremonies dating back to the 19th century. They were taken in 1899 by Swiss missionary Dr. Henri Junod. The royal family had begun negotiations in 2016.
[ in Dutch ] Last Saturday, the Grand Egyptian Museum (GEM) opened in Cairo. German President Frank-Walter Steinmeier was also in attendance. The world's largest archaeological museum displays more than 100,000 art treasures from Egyptian history, but one important piece is missing: the bust of Queen Nefertiti. It has graced the walls of Berlin for over a century.
Dan Hicks argues that the allegation that his book The Brutish Museums is “part of a trend away from pro-British perspectives” is contextualised and refuted. On the contrary, this reply argues, openness and transparency about the colonial past and present is a key element of the reclamation and
reimagining of Britishness that is unfolding in the 2020s – this unfinished period that the book calls “the decade of returns”.
There is growing debate around the ethics of displaying human remains. Against this background, the Museums Association (MA) has reviewed its Code of Ethics, and questions around storage and display of human remains are a key aspect.
Over 4.250 respondents from Zimbabwe, Ghana, Ethiopia, South Africa, Morocco, Egypt, Nigeria and Mali participated in a survey, expressing that return of artefacts is an essential party of reparations to the continent.
At the G20 meeting, South African Minister for Sport, Arts and Culture, Gayton McKenzie, champions cultural restitution and digital equity at the G20 summit, advocating for a fairer future. Each G20 member state should have a restitution committee.
[ in German ] Berlin Postkolonial, Decolonize Berlin, and Flinn Works welcome the update of the “Joint Guidelines on Dealing with Cultural Property and Human Remains from Colonial Contexts.” Clearer procedures and the establishment of unconditional returns are steps in the right direction. At the same time, the guidelines fall far short of a human rights- and international law-based understanding of restitution and repatriation.
[ in English and in German ] The main focus is on cultural belongings from four Cameroonian communities, the Bakoko, Bamum, Duala, and Maka, whose heritage was absorbed by these institutions during the German colonial era (1884-1919). This should also become a basis for future restitutions.
[ in French ] The Study and Research Centre for Administrative and Political Sciences (CERSA) organizes a conference entitled “Restitutions of cultural heritage: trends, challenges, perspectives” on November 14, 2025 in Paris.
[ in French ] The French government intends to go further with a bill that could become a landmark law in this area. What are the terms of the bill, and why does it potentially represent a historic turning point? Catharine Titi writes....
Former Tanzanian lawmaker and environmental activist Riziki Saidi Lulida argues: 'It was taken from Lindi, from our soil. They carried it piece by piece for more than a hundred kilometers, and some of our people died doing it. But no one in Lindi has ever benefited.'
The British Museum has hosted a lavish fundraiser at 2,000 pounds ($2,668) per ticket, dubbed the "Pink Ball," in the room housing the Parthenon Marbles, igniting fierce criticism and reviving long-standing debates over cultural ethics and colonial restitution. Greek Culture Minister Lina Mendoni condemned as 'provocative indifference'. Here follows a comment by Global Times reporter Chen Xi.
The stolen jewels are also products of a long history of colonial extraction. The sapphires, emeralds, diamonds, pearls, and other gemstones they contained were mined across Asia, Africa, and South America.
[ in German ] The 2025 Guidelines promote dialogue with societies of origin and descendants, interdisciplinary provenance research, and proactive roles for museums, while they acknowledge the cultural, spiritual, and epistemological singularities of each case. They expand on communication channels for restitution requests, specifically notably requiring the consent of the state of origin, and call for a need to streamline procedures and call for an expert advisory body to be established to support restitution efforts. Further details on governance and the body’s specific mandate remain to be defined.
This kick-off seminar, led by Pietro Sullo, discusses the legal status of colonial artefacts from Africa held in European museums, clarifying whether there is a duty to repatriate them. The research hypothesis is that European states have a legal duty to return colonial artefacts acquired without the consent of the communities of origin.
The decolonisation of museums worldwide is an unstoppable process. Spain aimed to join the wave of museological decolonisation. In the case of the Canary Islands, this practice presents a series of peculiarities related to their unique historical process.
The German state Baden-Württemberg acknowledges its historical responsibility and is committed to provenance research in order to identify and return colonial cultural goods that were acquired unlawfully. The start was in 2019, when Hendrik Witbooi's Bible and whip were returned to Namibia.
Cultural leaders of an indigenous Ecuadorian community have called for the repatriation of a collection of shrunken heads in the Pitt Rivers Museum in Oxford [GB].
[ in Spanish ] The exhibition recovers key moments from the decades of 1880 and 1990, when the first restitutions of human remains and the demands for patrimonial return to our context were produced.
The Hunterian at the University of Glasgow, through the implementing agencies, Iziko Museums of South Africa and the South African Heritage Resources Agency (SAHRA), and in partnership with the Northern Cape Reburial Task Team, have jointly announced the repatriation of ancestral human remains to South Africa.
When tourists tread the halls of Sri Lanka’s national museums or glance over the plaques at sites of historical significance, they are reading stories of the past. But whose? Sri Lankan ethnographer Ganga Rajinee Dissanayaka wonders who made that judgement of what is worth saving, worth memorialising, worth forgetting?
The British Museum has announced that it will be holding a charity ball on 18 October 2025 to collect funds to further, inter alia, its international partnerships. This makes Kwame Opoku having a closer look at it.
The Director of the Museum of Black Civilisations in Dakar Mohamed Abdallah Ly reflects on the urgent need to decolonize cultural institutions, the symbolism of absence, and the politics of restitution. He also discusses efforts to reconnect the museum with diaspora communities and reimagine its role in Africa’s cultural and intellectual future.
This special exhibition is dedicated to a long-overlooked collecting practice: The collection of objects by Catholic and Protestant missionary societies – primarily during the 19th and early 20th centuries.
The public display of artefacts looted by British colonial forces at the new Museum of West African Art was supposed to be the crowning glory of a decades-long restitution effort. What went wrong?
[ in Portuguese ] The exhibition "The Photographic Impulse. (Dis)arrangement of the Colonial Archive" proposes a decolonial reading of the images and scientific objects from geodesy and anthropology expeditions carried out in territories colonized by Portugal.
Doing research in Swiss museums, artist Deneth Piumakshi Veda Arachchige comes across a collection of ancestral remains and artifacts from an indigenous Sri Lankan community. The documentary can be seen at film festivals in Leipzig and Amsterdam.
Alliance Française Kampala has launched a month-long program, Ethics of Loaning: Strengthening the Discourse on Restitution in Uganda, aimed at involving communities in discussions on the return and ethical management of cultural heritage.
In this Spark Session Made Naraya Sumaniaka presents his thesis work, which recentres community agency by examining how digital spaces enable participation and contestation using the newly established Colonial Collections Datahub and TikTok as case studies.
The Restituting, Reconnecting, Reimagining Sound Heritage (Re:Sound) project invites applications for three short-term research fellowships aimed at scholars, curators, artists, and source community members from Southeast Asia.
This project explores the colonial framework that has shaped our understanding and knowledge of historical objects, focusing on the Lombok Treasures looted from Cakranegara Palace in 1894. Adopting a decolonial perspective, this project reframes these heritage objects as living entities endowed with knowledge and cultural significance, rather than mere relics.
In this exhibition, a group of artists examines how colonialism has shaped the ways museums, archives and other institutions of knowledge are perceived and understood, revealing the (im)material scars imposed by systemic violence.
In 'Rethinking Histories of Indonesia - Experiencing, Resisting and Renegotiating Coloniality', editors Sadiah Boonstra and others provide a critical evaluation of histories of Indonesia from the formal period of colonisation to the present day. The volume approaches Indonesian history through the lens of coloniality, or the structures of power and control that underpin colonisation and which persist into the present.
Christian missionary collections have contributed much to the development of the exhibitionary complex, but have received significantly less notice than imperial states using violence to acquire collections, and subsequent demands for restitution.
HERE is a seminar for new and experienced heritage professionals. The aim is to bring professionals together in order to stimulate knowledge exchange and innovation. HERE is on 10 November in Wereldmuseum Amsterdam.
First Nations leaders talked about the need to develop a national repatriation strategy for artifacts, cultural items and ancestral remains at the Assembly of First Nations (AFN) annual general assembly in Winnipeg.
[ in Dutch ] Looted art is a hot issue in the art world. This therefore seems like a good time to return ten pleurists who are now in the Rijksmuseum to Belgium, writes parliamentary lobbyist Marcelo Mooren in this opinion piece.
[ in English and in German ] Experience to date suggests that the portal has so far been little used by actors from the contexts of origin and other countries of the so-called Global South and their diasporic communities. To shed more light on this issue, we surveyed both the DDB as the provider and German and international researchers as (potential) users in writing.
Our third In Conversation considers restitution from an ethnographic perspective. Charlotte Joy will discuss the research for her upcoming book, drawing on interviews and her work with UNESCO, with Mirjam Shatanawi and Katarzyna Puzon. We invite you to join our conversation.
Kulasumb Kalinoe (East Sepik area, Papua New Guinea; currrently James Cook University, Australia) focuses on the collection and removal of cultural material from Papua New Guinea (PNG) during the colonial era. She discusses views among the Papua New Guinean diaspora in Australia on museums and PNG collections, and argues that cultural heritage issues must be addressed before the work of decolonisation can begin.
Ahmad Mohammed writes: Sacred objects, ancestral remains, and ritual artifacts remain estranged from the communities that created and cherished them. This condition is what many scholars and practitioners now identify as cultural heritage alienation: the systematic displacement of heritage from its social, spiritual, and cultural lifeworlds into the frameworks of Western curatorial authority. But community control is crucial.
BREAKING: Three shrunken heads of South American persons and one hand of a mummified person from Egypt are currently offered by Hannam's Auctioneers, The Old Dairy Norton Farm, Selborne, GU34 3NB, Hampshire, UK.
Nigeria should establish a bilateral negotiating group with Germany on reparations to pay for its crimes against humanity, comprising the indigenous peoples of Nigeria and other African nations. Not as charity, but as a binding act of justice and a guarantee that such atrocities will never be repeated.
Tilda Gladwell likes to divert your attention from news of war and geopolitical instability for just a moment to an equally pressing issue: the decades-long debate concerning repatriation.
The Ethnographic Museum Zagreb presents the exhibition “Travellers” – Collection of Non-European Cultures, tracing the journeys of people and objects from colonial times to the present day.
Jongsok Kim wrote this open access book in 2018, but it is still very relevant for our discussion. With legal and historical perspectives. Some case-studies about restitution are noteworthy.
Two pou - ornate carvings - that have been in the South Australian Museum's collection for more than 130 years are now destined for New Zealand after a ceremony in Adelaide on Tuesday.
The objects, comprising spears, spear throwers and a club, were collected in the late 19th and early 20th centuries and have been held in the museum’s collection for decades.
The past decade has seen a worldwide tendency to re-examine human remains found in old museum collections. To obtain a full picture of the life history of the individuals under consideration, an anthropological study might be mandated, although this approach is not yet systematic.
According to Darius Spierman, France has begun a significant process of confronting its colonial history. This includes the recent return of human remains to Madagascar and a draft restitution bill.
[ in English, French and Spanish ] From a continental European perspective, islands have long been considered as separated and isolated spaces, disconnected from one another and from the rest of their environment. This special issue of the ICOFOM Study Series rethinks such a perspective on islands by bringing together papers from around the world that draw on alternative views, notably from the Pacific and Caribbean regions concerning oceanic islands.
The conference “Colonial Pasts and Contemporary Search for Justice: Interdisciplinary Perspectives on the Politics of Restitution and Redress for Colonial Violence” brings together experiences from different parts of the world, and perspectives in the field of transitional justice and (post-)colonial studies.
For several years, Bristol Museum and Art Gallery and the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) have been discussing returns of cultural heritage to Australia. This event will reflect on those discussions with community members and AIATSIS staff.
[ in Dutch ] How are Belgium and the Netherlands dealing with the sensitive issue of returning looted art and researching its colonial origins? An exploration of some treacherous areas in the quagmire of new Dutch and Belgian restitution policy. A discussion between museum director Wayne Modest and activist Nadia Nsayi.
[ French translation ] La France débat actuellement de la création d’un cadre juridique pour la restitution des collections publiques historiques, principalement d’origine coloniale. La Belgique dispose déjà d’une telle loi. Ce court article propose une comparaison entre les deux dispositifs – la loi belge et le projet de loi français – en se concentrant sur trois points :
• l’approche centrée sur l’État,
• le champ d’application,
• la procédure de restitution.
Reclaiming stolen artefacts: Africa’s landmark museum at the heart of global discussion about restitution.
Senegal’s Museum of Black Civilisations is asserting Africa’s right to secure its cultural heritage and tell its own story.
Museums hold thousands of ‘things’ from all around the world. In larger institutions like Te Papa, the histories of these ‘things’ are not always known. This blog is looking at ways to start recovering these lost stories and histories.
This open access book (only after 10 - 14 days) offers a unique perspective on the return of cultural objects by considering the aftermath of the handover processes.
The Japan-Netherlands Symposium International Training Program in Museums: Exploring Inclusive and Collaborative Engagement focuses on international museum training programs conducted by the Netherlands and Japan, exploring new approaches to international museum collaboration that transcend the traditional hierarchy between “trainers” and “trainees.”
This paper is the outcome of joint reflections by the two authors, based in Europe and in Africa. Since the diverse practices of restitution have attracted more attention than certain concepts related to it, this paper addresses this imbalance by focusing on conceptual issues.
The article 'Journey of No Return: The Impact of Looted Heritage on Nigeria’s Cultural Legacy' explores the profound impact of looted heritage on Nigeria’s cultural legacy, highlighting the historical, cultural, and economic implications of the plundered artifacts.
Thomas Fues writes: the German government emphasises its willingness to confront Germany’s colonial history and its consequences. But it remains to be seen whether and how such declarations of intent at the beginning of the legislative period will actually be implemented in the coming years.
This call for contributions to Terroirs, African Journal of Social Sciences and Philosophy, aims to give greater consideration to African perspectives by analyzing citizen mobilizations, artistic initiatives, state strategies, and community practices that shape the return of heritage.
It’s no easy matter resolving the current ethical debate over the retention and exhibition of human remains. But one public collection is asking visitors to cast their vote.
The Latin America and the Caribbean chapter of the Association of Critical Heritage Studies (LAC-ACHS), together with Centro de Patrimonio Cultural and Núcleo Milenio Nupats of Universidad Católica de Chile and the Department of Arts and Culture Studies of Erasmus University Rotterdam, warmly invites abstracts for its inaugural conference “Encounters. Collaborative Approaches to Heritage in Latin America and the Caribbean”.
Officials from Canadian Heritage have confirmed the federal government has neither the means nor the ability to acquire any of the estimated 4,400 items in the Hudson Bay Company’s (HBC) collection of art and artifacts.
[ in Spanish ] This special issue of Revista Memorias Disidentes shows debates and reflections on restitution, repatriation, return and reburial of ancestors in South America.
In March 2025, Open Restitution Africa co-hosted a two-day gathering with the University of the Western Cape at the Iyatsiba Lab in Cape Town, bringing together African restitution practitioners, researchers and activists to reflect on how lived experience is shaping policy across the continent.
Eight years after French president Emmanuel Macron pledged to return African heritage to the continent, his government has adopted a bill facilitating the deaccession of cultural items plundered from former colonies. The text will be submitted for a vote in the senate on 24 September.
[ in Portuguese ] A delegation from Nagaland in north-east India travels to the Pitt Rivers Museum in Oxford to negotiate the return of remains and artefacts taken during the colonial period.
La Galigo, an Bugis text, is poetry, written on palm leaves in Bugis language and is considered to be the most voluminous literary work in the world. But the majority of the manuscripts are stored in Leiden University, The Netherlands.
Ahmad Mohammed writes: While digital repatriation offers an alternative or complementary pathway to physical restitution, its success hinges not only on ethical intent or technological innovation but on the socio-technical infrastructure available to source communities.
[ in Dutch ] According to FARO, the Flemish support centre for cultural heritage, organisations in this part of Belgium increasingly involve communities of origin as active partners in management, description, research and showing collections of these communities that the Flemish organisations preserve.
An institution is asking its visitors for their view: The Manchester Museum is running a public consultation about the future of Asru, a woman who lived in Thebes, southern Egypt
Hudson’s Bay Company, North America's oldest company, faces bankruptcy and wants to auction objects amassed from its founding in 1670, but it includes many important pieces of Canada’s First Nations and colonial heritage.
Thomas Fues writes: In an historic breakthrough for German restitution policy on colonial contexts, Cameroon’s official Restitution Committee has agreed upon the return of colonially appropriated cultural heritage in September 2025. Four German museums are involved.
On March 14, the remains of eight Mirning ancestors were returned to their country and buried. The ancestors lived between the late 1800s and 1979, and their remains had most recently been stored at the West Australian Museum.
Gov. Greg Gianforte last week finalized Montana’s two-year budget, which contains several new investments for Indian Country, including a historic increase in funding for tribal colleges and money devoted to repatriation efforts.
Indigenous artefacts will be returned to their ancestral home on Mornington Island in Queensland's Gulf of Carpentaria. More than 3,000 kilometres away in Victoria, Baw Baw Shire staff uncovered the 37 articles in storage.
This year’s theme explores the material return, digital reunification, and recontextualization of Philippine artefacts, manuscripts, and sound heritage kept in institutions outside of the Philippines.
South Africa is determined to repatriate the remains of its people taken abroad during the colonial era and those who died in exile as anti-apartheid activists, the culture minister Gayton McKenzie says. Including those of the Khoi-San, who are regarded as among the country's "first people".
A diaspora group discovers an object in the Wereldmuseum Amsterdam’s collection that the village of origin in Indonesia dearly misses. As it belongs to the Dutch national collection, its return requires the signature of the minister of Education, Culture and Science. But he only signs if the Indonesian minister of Culture supports the claim. After return, the latter must decide whether to deviate from the policy that returned objects are kept at the Museum Nasional Indonesia in Jakarta. Only then can the object go back to its village of origin. An interim report about a journey whose outcome no one yet knows.
Southern Africa is spearheading a transformative shift in the restitution discourse. This shift means reframing restitution as an act of healing, justice, and empowerment for communities still grappling with the enduring scars of historical dispossession.
Pope Francis promised to return artifacts to communities in Canada, but several years on, they remain in the Vatican’s museums and storage vaults. Recently, Canadian Prime Minister Mark Carney discussed the return in a meeting with Canadian Catholic Cardinals.
Tamara Lanier, who sued the school in 2019 over daguerreotypes of her enslaved ancestors held in its museum, called the outcome “a turning point in American history.”
Half of the 11 returned objects to the Larrakia community in Northern Australia first arrived at the Fowler Museum in 1965 through a large donation from the Wellcome Trust.
The House of Ni’isjoohl Memorial Pole, stolen in the 1920s, was rematriated from National Museums Scotland (NMS) in 2023. Noxs Ts’aawit (Dr. Amy Parent) of The Nisga’a Nation and Dr. John Giblin from NMS outline the process of international cooperation.
In her book 'Colonial Ambitions and Collecting Anxieties: Aboriginal Objects and Western Australian Frontiers, 1828–1914' Nicola Froggatt assesses how non-Aboriginal collectors understood Aboriginal objects, and what this reveals about colonial relationships, anxieties and ambitions.
At the global Museum & Heritage Awards 2025 the Pitt Rivers Museum won Partnership of the Year for the Maasai Living Cultures Project. The annual award celebrates the best in the world of museums, galleries plus cultural heritage visitor attractions.
The paper 'Nkali and Kolo-collecting in Eastern Nigeria: interrogating colonial collections of ọfϙ and Ikenga, Igbo objects of sovereignty and authority' explores the changing narratives of Ọfϙ and Ikenga, sacred objects of sovereignty and authority among the Igbo of Eastern Nigeria, currently in the Museum of Archaeology and Anthropology (MAA), University of Cambridge (UK).
Heritage interpretation—the process through which meaning is assigned to the material and immaterial traces of the past—is never a neutral act. It inherently involves questions of power, identity, and authority, writes Ahmad Mohammed.
A central assumption in the political process of restitution of looted properties and cultural objects is that their return helps societies to redeem histories of injustice and dispossession. In this article, we ask which objects address whose histories, and how processes of restitution are influenced by the presence and absence of objects and collections.
After more than 170 years at the Scottish University of Aberdeen, the remains of a young Aboriginal man who was killed on his Country have returned home.
Geraldine Kendall Adams delves into the moral and ethical arguments that surround the highly sensitive issue of human remains held in British museum collections.
[ conference in French ] Germany, Benin, Cameroon, Ghana, Greece, France, Ivory Coast, Mali, Sénégal, Switzerland - Academics, activists, artists, experts from communities and museum actors debate the future of museums in Africa and in Europe.
A ceremony took place in the Leiden World Museum around the restitution of the heritage of the Ysleta del Sur Pueblo tribe. It is the first time the Netherlands has returned objects to the United States. „The healing process can now begin.”
The restitution of material objects has become central for engaging with past injustices in post-conflict situations. Thereby, restitution is increasingly attributed a transformative potential to enable dialogues between different victim and perpetrator groups in the aftermath of mass violence.
Modernity has emphasized the need to disconnect from emotions for the sake of objectivity; the mind as the vehicle for sense-making. However, onto-epistemologies from the Global South discuss the relevance of a holistic integration of the body, mind, heart, and life-force (spirit) for a better understanding.
British lawmakers, NGOs, and researchers urge the UK to address a 'legislative vacuum' permitting the display of African ancestral remains from the colonial era. T
This annotated bibliography presents mostly Indigenous authors and thinkers who have identified this disconnect between Euro-centric and Indigenous ways of seeing and understanding the world for decades, if not centuries.
Museums in Leipzig, Göttingen, Stuttgart and three other German cities have transferred the remains of Māori and Moriori people to a New Zealand delegation, headed Te Herekiekie Herewini of the Museum of New Zealand Te Papa Tongarewa.
Objects from the Wereldmuseum Leiden collection to be returned to indigenous tribe in the US. This item contains the announcement by the Dutch government, the report by the Dutch advisory Committee Colonial Collections and reactions from local news stations in El Paso, Texas.
Tim Maxwell: Repatriating artefacts found underwater could help former colonial powers meet moral obligations to countries they had historically exploited for their transatlantic slave trade.
[ in Dutch ] The problems at the AfricaMuseum in Tervuren are mainly a result of a lack of money. This is what director Bart Ouvry says, who is responding for the first time to the sharp criticism of political scientist and public officer Nadia Nsayi. In a column in De Morgen, she accuses him of toxic behavior, weak leadership and too little eye for diversity.
Nadia Nsayi is a political scientist and author of Daughter of Decolonization and Congolina. She argues why she hesitates to take a step back in the AfricaMuseum. [ in Dutch ]
A museum in Limburg has decided not to return five ornamental human skulls taken by missionaries from Papua New Guinea after the local population turned down the offer.
The Missiemuseum in Steyl investigated the origin of the artefacts in the wake of the controversy surrounding a skull from Benin that was sold by an auction house in Amsterdam.
Three decades after legislation pushed for the return of Native American remains to Indigenous communities, many of the nation’s top museums and universities still have the remains of thousands of people in their collections.
[ in Dutch ] What to do with the human skulls from Africa or Asia in their collection? The days when this kind of heritage could be easily in museums seem to be over. The call for return to the place of origin is louder and louder. But are they waiting for it there?
[ in French ] Indonesia is pursuing a process of complete repatriation of cultural works looted during the colonial period. By mid-December, 828 objects had been returned by the Netherlands, according to the Indonesian Heritage Agency.
Hundreds of Indonesian artefacts that were in the Netherlands for more than a century - the bulk of which were looted by the Dutch during their colonial rule - are now on display at Indonesia’s National Museum in Jakarta. They are among the latest batch of items returned after a lengthy process involving both countries.
An indigenous Mexican nation, the Nahñu people in the central Mexican state of Hidalgo, has written to the Assemblée Nationale in France seeking the return of its codex, arguing that the centuries-old manuscript describes traditions it still continues.
A 200-year-old wampum belt has spent much of its existence at the Vatican’s museums, across the ocean and thousands of kilometres away. Last year, the belt, made by Algonquin, Nipissing and Mohawk peoples in 1831, was returned to Canada for 51 days – for a brief appearance at a Montreal museum in the fall – before it was sent back the vaults of the Vatican. In 2023, nothing was returned, a Timeline reveals.
Earlier in 2024, David Nolan Gallery in New York mounted the exhibition Fort Marion and Beyond: Native American Ledger Drawings, 1865–1900, gathering over 100 works on paper by Native artists from the Arapaho, Cheyenne, Hidatsa, Kiowa, and Lakota tribes.
This report was developed as a response to the Truth and Reconciliation Commission’s Call to Action #67 under the guidance of the CMA Reconciliation Council.
[ in Dutch ] The judge has ruled that the collection of the Africa Museum in Berg en Dal is owned by the fathers of the Congregation of the Holy Spirit. The National Museum of World Cultures (NMVW) must return the collection to them.
An international group of two hundred scientists and specialists in predatory art protests against the trade in human remains by the Amsterdam auction house De Zwaan. It is a skull of a person of the Fon people from Benin. The skull was sold last month for eight hundred euros.
Trinity College and the Museum of Archaeology and Anthropology (MAA) agreed in March 2023 to return the spears to descendants of the Gweagal people who crafted the spears more than 250 years ago. One year later, they were handed over.
In 1905, a colonial British officer killed Koitalel Arap Samoei, the supreme leader of the Nandi tribe. According to oral history, his severed head was taken to the UK. The Nandi have been searching for it ever since. The Nandi have been searching for it ever since.
The Museum of Cultures and the Natural History Museum in Basel, Switzerland, returned a collection of approximately 90 aboriginal artefacts, including human bones and tools, of Sri Lanka’s indigenous population.
Six years ago, AIATSIS set up the Return of Cultural Heritage (RoCH) programme, and began looking at collections worldwide that might have holdings to return. Among the 200 institutions it first contacted, 74 responded positively, among these the Fowler museum in Los Angeles
Over the centuries, a multitude of items – including a cannon of the King of Kandy, power-objects from DR Congo, Benin bronzes, Javanese temple statues, Maori heads and strategic documents – has ended up in museums and private collections in Belgium and the Netherlands by improper means.
In 'The Empty Showcase Syndrome - Tough Questions about Cultural Heritage from Colonial Regions', author Jos van Beurden explores three questions that slow down the restitution process.
Alexander Herman: When Prime Minister Justin Trudeau met with Pope Francis last month, he raised the issue of reconciliation with First Nations, and urged the pope to return Indigenous cultural artifacts from the Vatican collections to communities in Canada. This request came at a tense time.
In a lengthy contribution, Kwame Opoku wonders how long the Ovaherero must wait for justice and reparation for the German genocide? He extensively quotes a press release of the Ovaherero Traditional Authority-Ouhonapare uo Mananeno uo Vaherero. Part of it is about repatriation.
An ancient, carved tree will be returned to Australia around a century after it was cut down and shipped to Europe. It was one of several “dhulu” stolen from a Gamilaraay ceremonial site beside a creek in northeast NSW in 1917.
More than 128,000 Native American ancestors and 4.5 million sacred objects have been identified in collections across museums, universities and government agencies. Those numbers don't include more than an estimated 90,000 ancestors and 700,000 associated funerary objects that have not yet been identified in collections.
In October 2024, a 19th-Century skull from the north-eastern Indian state of Nagaland was up for auction in the UK. The horned skull of a Naga tribesman was among thousands of items that European colonial administrators had collected from the state.
Rachel Mariembe discusses the collection of the Musée des Rois Bamoun (MRB, Museum of the Bamoun Kings), located in Foumban in Cameroon’s West Region, as a framework for studying issues related to the concepts of museum, cultural heritage, conservation, and the restitution of cultural property looted during the colonial period.
Anmol Irfan, a Muslim-Pakistani journalist, writes: Governments delay the process; museums often answer to wealthy donors. Complexities arise that require each case to be handled individually. But the first step of acknowledging the generational hurt and trauma caused by the removal of these culturally important and sacred artifacts has opened doors to broader solutions on a global scale.
A sacred cloak that had been in the holdings of the National Museum of Denmark for more than 300 years was returned to Indigenous leaders in Brazil. The nearly six-foot-long cloak was constructed using 4,000 scarlet ibis feathers. It was taken from the Tupinambá people during Portuguese colonial rule.
For decades, families in Tanzania have been demanding the return of their ancestors’ human remains from Germany. These ancestors, executed leaders of resistance efforts against German colonial rule, were exhumed from their graves and taken to Germany. Cece Mlay discusses co-producing a new documentary on how their descendants are seeking justice and closure today.
Claim of the Restitution Study Group: The Supreme Court has denied certiorari in the case Deadria Farmer-Paellmann v. Smithsonian Institution, allowing the return of 29 Benin Bronzes to Nigeria to proceed without further legal challenge.
Panorama of the Nord Deutsche Rundfunk wrote an extended commentary on a 35-minute-long documentary: ‘African human skull, early 20th century, €2000’ - this is how dealers openly advertise human skulls on social media such as Instagram. Panorama reporters uncover just how dubious this trade is, especially when you realise the origin of these skulls (in German).
Although there is no overarching framework for the repatriation of human remains at the international level, most repatriation efforts now operate within a more rigorous legal framework at the national and subnational level, which includes national laws and guidelines from public authorities.
Exactly 130 years ago, the World Exhibition took place in Antwerp. For that occasion, 144 Congolese were exhibited at the KMSKA. Seven Congolese died. The AfricaMuseum, which has a similar colonial history in Tervuren, organizes an online MuseumTalk about the memory and commemoration of this tragedy. The speakers are a researcher, an activist and an artist.
Conference Sensitive Legacy in University Collections: Adaptation and Restitution, organized by the ANU Centre for European Studies in collaboration with The Urban Memory Foundation and the University of Wroclaw, Poland.
[ in Dutch ] Fifteen skulls originating from the Moluccas have been returned to the island group Tanimbar. These skulls had been part of the collection of Museum Vrolik, the anatomical museum of Amsterdam University Medical Centre, since the very early 20th century.
Until the late 1980s Indigenous art was being ripped off left right and centre. It was open slather. First at the cheap end of the market on T-shirts and then on fancy carpets made in Vietnam. The rip-off merchants maintained black artists were just painting old patterns, so their work was for the taking.
The return of artefacts to their countries of origin is not just an act of repatriation, but an opportunity for healing and reconnecting with cultural roots, said Tuuda Haitula, the museum development officer at the Museums Association of Namibia.
Early in October 2024, RM* distributed news about an auction by Swan Fine Art at Tetsworth (UK) of Naga human remains estimated at 3,500 – 4,000 UK pounds. This had infuriated the Forum for Naga Reconciliation and many others.
Thanks to Deneth Piumakshi Veda Arachchige, the Museum of Cultures and the Natural History Museum in Basel, Switzerland returned a collection of approximately 90 aboriginal artefacts, including human bones and tools, of Sri Lanka’s indigenous population this week.
[ in Dutch ] In colonial times, thousands of human remains ended up in Dutch museums. Soon, Moluccan activists will bring back 15 skulls single-handedly.
In July 2020, the Australian Government announced the introduction of the RoCH program with funding until June 2024. The research and community work continued and at the end of this period RoCH identified 383 overseas collecting institutions holding 126,000+ Aboriginal and / or Torres Strait Islander cultural heritage items.
The “De Grote Indonesië Tentoonstelling” at De Nieuwe Kerk in Amsterdam has faced scrutiny due to its display of seven Buddha heads, allegedly from the Borobudur, lacking contextualisation.
