[ in Dutch] Due to the death of Otto van der Mieden on February 1, 2024, the founder and director of the Puppetry Museum, the museum is closed and the collection is being deaccessioned.
The purpose of this article is to take a closer look at such instances of return of cultural heritage, by particularly focusing on the relationship between the matters of return and the questions of identity and collective memory in this respect. The third part focuses on the question of repatriation of cultural objects removed during the times of colonialism.
Phillip Ihenacho, director and chairman of the Museum of West African Art (MOWAA), has watched the restitution debate unfold with both pride and concern. Pride, because it signals a long-overdue recognition of West Africa’s cultural heritage; concern, because too often the conversation is shaped by Western priorities rather than African ones.
[ in English, in German } Thomas Fues sees many positive elements in the Joint Guidelines. which the federal government, the states and local authority associations adopted on 14 October 2025. They have some good guidelines but challenges remain as well.
Ghana's Asante king has welcomed the return of 130 gold and bronze artefacts from the UK and South Africa some of which were looted during colonial times and others bought on the open market. 'These artifacts belong where their meaning was born'.
The Vatican is working with the Canadian Catholic Church to return 62 Indigenous objects, says Gilbert Whiteduck . He is the education director and former chief of the Algonquin community Kitigan Zibi Anishinābeg, in western Quebec.
Julien Volper, acurator at the Royal Museum for Central Africa (Tervuren, Belgium), is writing here in a personal capacity: The Dutch restitution of Benin objects, earlier this year, was motivated by Dutch self-interest, both of the government and of the museum that has to let go a collection.
Elias Feroz interviews Dan Hicks: Monuments, museums, and cultural institutions were often created in the image of “militarist realism,” presenting colonialism and enslavement as eternal. Undoing this legacy is not erasing the past but combating a pernicious ideology.
From the crowns of Ethiopian emperors held abroad to the mummified remains of African ancestors still stored in Western institutions, the theft of Africa’s sacred heritage represents a deeper violence. Those which we speak of, are not mere museum exhibits; they are vessels of ancestral power and collective memory. Their continued displacement denies Africa’s children the right to know and connect with their lineage.
Kwame Opoku looks back at the year 2025. Two fragments, one about the Western dedain for looted objects and human remains. The other about a publication of Open Restitution Africa. But first, a positive event.
The opening of the Grand Egyptian Museum comes with renewed calls for restitution: the famous Nefertiti bust, in Berlin since 1913, and the Stone of Rosetta, in London since 1801. Differing points of view.
Cyprus is a much negelected spot in colonial history. This documentary Film trailer by Zimbabwean artist Sithabile Mlotshwa is made possible through a collaboration with historian Paraskevas Samaras and videographer Michalakis Georgiou with contributions and support from Dinos Toumazos, Agora Dialogue, Oz Karahan and others.
Oba Ewuare II today, during a courtesy visit to the Government house spoke explicitly on the proposed plan to build Benin Royal Museum which the past Governor of the state, Mr. Godwin Obaseki converted to EMOWAA and later MOWAA.
The theft of the Louvre’s crown jewels has increased calls for the museum to be more transparent about the colonial origins of the treasures it displays. Their routes to Paris run through the shadows of empire, an uncomfortable history that France has only begun to confront.
In an address at the 2025 Conference of the African Bar Association (AfBA) in Accra, Chief Charles A. Taku of the AfBA Reparations Committee, made an impassioned appeal for what he termed “The Accra Declaration” — a continental demand compelling Europe and the West to pay reparations for the centuries of slavery, colonialism, and cultural theft inflicted upon Africa and its peoples.
The International Seminar on the Return of Cultural Heritage under the auspices of the 2025 Brazil BRICS Presidency will take place on 10 and 11 November and is organized by the University of São Paulo [ USP ].
The cultural goods – a carved wooden stick, a divination basket, and a bovine astragalus amulet - were originally owned by the Nkuna royal family of Limpopo and used in ritual and spiritual ceremonies dating back to the 19th century. They were taken in 1899 by Swiss missionary Dr. Henri Junod. The royal family had begun negotiations in 2016.
[ in Dutch ] Last Saturday, the Grand Egyptian Museum (GEM) opened in Cairo. German President Frank-Walter Steinmeier was also in attendance. The world's largest archaeological museum displays more than 100,000 art treasures from Egyptian history, but one important piece is missing: the bust of Queen Nefertiti. It has graced the walls of Berlin for over a century.
Dan Hicks argues that the allegation that his book The Brutish Museums is “part of a trend away from pro-British perspectives” is contextualised and refuted. On the contrary, this reply argues, openness and transparency about the colonial past and present is a key element of the reclamation and
reimagining of Britishness that is unfolding in the 2020s – this unfinished period that the book calls “the decade of returns”.
Colonial powers have long used museums to collect, display and contain the suffering of subjugated peoples, transforming trauma into spectacle and erasure into curation. Armenia, like so many small nations whose history was stolen, remains entangled in this architecture of memory.
Over 4.250 respondents from Zimbabwe, Ghana, Ethiopia, South Africa, Morocco, Egypt, Nigeria and Mali participated in a survey, expressing that return of artefacts is an essential party of reparations to the continent.
At the G20 meeting, South African Minister for Sport, Arts and Culture, Gayton McKenzie, champions cultural restitution and digital equity at the G20 summit, advocating for a fairer future. Each G20 member state should have a restitution committee.
[ in German ] Berlin Postkolonial, Decolonize Berlin, and Flinn Works welcome the update of the “Joint Guidelines on Dealing with Cultural Property and Human Remains from Colonial Contexts.” Clearer procedures and the establishment of unconditional returns are steps in the right direction. At the same time, the guidelines fall far short of a human rights- and international law-based understanding of restitution and repatriation.
[ in English and in German ] The main focus is on cultural belongings from four Cameroonian communities, the Bakoko, Bamum, Duala, and Maka, whose heritage was absorbed by these institutions during the German colonial era (1884-1919). This should also become a basis for future restitutions.
[ in French ] The French government intends to go further with a bill that could become a landmark law in this area. What are the terms of the bill, and why does it potentially represent a historic turning point? Catharine Titi writes....
The British Museum has hosted a lavish fundraiser at 2,000 pounds ($2,668) per ticket, dubbed the "Pink Ball," in the room housing the Parthenon Marbles, igniting fierce criticism and reviving long-standing debates over cultural ethics and colonial restitution. Greek Culture Minister Lina Mendoni condemned as 'provocative indifference'. Here follows a comment by Global Times reporter Chen Xi.
The stolen jewels are also products of a long history of colonial extraction. The sapphires, emeralds, diamonds, pearls, and other gemstones they contained were mined across Asia, Africa, and South America.
[ in German ] The 2025 Guidelines promote dialogue with societies of origin and descendants, interdisciplinary provenance research, and proactive roles for museums, while they acknowledge the cultural, spiritual, and epistemological singularities of each case. They expand on communication channels for restitution requests, specifically notably requiring the consent of the state of origin, and call for a need to streamline procedures and call for an expert advisory body to be established to support restitution efforts. Further details on governance and the body’s specific mandate remain to be defined.
This kick-off seminar, led by Pietro Sullo, discusses the legal status of colonial artefacts from Africa held in European museums, clarifying whether there is a duty to repatriate them. The research hypothesis is that European states have a legal duty to return colonial artefacts acquired without the consent of the communities of origin.
The colonial collections in public museums and the private sector in Italy are not less substantial than elsewhere in Europe. Italy has made some significant returns. Nevertheless, this blog argues that the country is much better at reclaiming its own stolen relics than at accepting the consequences of the investigations into its colonial collections.
The decolonisation of museums worldwide is an unstoppable process. Spain aimed to join the wave of museological decolonisation. In the case of the Canary Islands, this practice presents a series of peculiarities related to their unique historical process.
The German state Baden-Württemberg acknowledges its historical responsibility and is committed to provenance research in order to identify and return colonial cultural goods that were acquired unlawfully. The start was in 2019, when Hendrik Witbooi's Bible and whip were returned to Namibia.
When tourists tread the halls of Sri Lanka’s national museums or glance over the plaques at sites of historical significance, they are reading stories of the past. But whose? Sri Lankan ethnographer Ganga Rajinee Dissanayaka wonders who made that judgement of what is worth saving, worth memorialising, worth forgetting?
The Director of the Museum of Black Civilisations in Dakar Mohamed Abdallah Ly reflects on the urgent need to decolonize cultural institutions, the symbolism of absence, and the politics of restitution. He also discusses efforts to reconnect the museum with diaspora communities and reimagine its role in Africa’s cultural and intellectual future.
This special exhibition is dedicated to a long-overlooked collecting practice: The collection of objects by Catholic and Protestant missionary societies – primarily during the 19th and early 20th centuries.
The public display of artefacts looted by British colonial forces at the new Museum of West African Art was supposed to be the crowning glory of a decades-long restitution effort. What went wrong?
Seven years ago, two men found a bronze Ming Dynasty Buddha statue on a roadside in WA's Shark Bay region, Australia. Tests confirmed the Buddha had been buried for 150 years and is probably linked to the beginnings of WA's pearling industry, which was pioneered in part by Chinese people. The two men want it to be handed over to the Chinese government as a symbol of peace and diplomacy.
This project explores the colonial framework that has shaped our understanding and knowledge of historical objects, focusing on the Lombok Treasures looted from Cakranegara Palace in 1894. Adopting a decolonial perspective, this project reframes these heritage objects as living entities endowed with knowledge and cultural significance, rather than mere relics.
In 'Rethinking Histories of Indonesia - Experiencing, Resisting and Renegotiating Coloniality', editors Sadiah Boonstra and others provide a critical evaluation of histories of Indonesia from the formal period of colonisation to the present day. The volume approaches Indonesian history through the lens of coloniality, or the structures of power and control that underpin colonisation and which persist into the present.
Christian missionary collections have contributed much to the development of the exhibitionary complex, but have received significantly less notice than imperial states using violence to acquire collections, and subsequent demands for restitution.
The restitution issue of cultural properties from Japan to South Korea has a long history. Back from a visit to South Korea, Eisei Kurimoto (National Institutes for the Humanities, Japan) concludes that this history still is being characterized by one dominant element: asymmetry. While in South Korea, it is an important national matter, the interest in Japan has been very low. Japanese governments consider it a ‘settled case’ and the issue is rarely publicly argued. To initiate change, joint provenance research projects could cultivate trust and friendship between stakeholders of both countries.
A royal shrine from the Joseon Dynasty (1392-1910), believed to have been removed from Korea nearly a century ago during Japan’s colonial rule, has returned home. Known as Gwanwoldang, the wooden structure was officially transferred to Korea through a bilateral cultural collaboration marking the 60th anniversary of normalized diplomatic ties between the two countries.
First Nations leaders talked about the need to develop a national repatriation strategy for artifacts, cultural items and ancestral remains at the Assembly of First Nations (AFN) annual general assembly in Winnipeg.
[ in Dutch ]'Dutch' fossils soon to be seen again in Indonesia: 'Young people here only know the Javaman from textbooks'
Indonesia will soon receive thousands of fossils that are still in museum Naturalis. It is a historic moment for his country, says Indonesian paleontologist Sofwan Noerwidi.
On 26 September 2025, the Dutch government returned 28,000 fossils, including the famous skullcap, a molar, and a thighbone (the so-called Java Man), to Indonesia following an official claim submitted by the Indonesian state in July 2022. They were part of the collection of Naturalis Biodiversity Centre in Leiden. With this, the government followed the advice of the Colonial Collections Committee. Now that the dust about this massive return has begun to settle, it is time for some reflection. I consider the acceptance of the advice of the independent Colonial Collections Committee groundbreaking in several respects.
[ in Dutch ] Looted art is a hot issue in the art world. This therefore seems like a good time to return ten pleurists who are now in the Rijksmuseum to Belgium, writes parliamentary lobbyist Marcelo Mooren in this opinion piece.
[ in Dutch ] At the Indonesian Ministry of Culture, they can't count on their luck. The Netherlands returns an important archaeological find to Indonesia. It concerns the skullcap of Dubois, named after the Dutch finder Eugène Dubois. This proved in 1891 that other humanos had existed, which Dubois called the Javamen.
[ in Dutch ] The restitution process of the Dubois collection took an unusually long time. The responsible advisory committee and Naturalis point out the complexity of the case, experts make sharp accusations against the museum.
Kulasumb Kalinoe (East Sepik area, Papua New Guinea; currrently James Cook University, Australia) focuses on the collection and removal of cultural material from Papua New Guinea (PNG) during the colonial era. She discusses views among the Papua New Guinean diaspora in Australia on museums and PNG collections, and argues that cultural heritage issues must be addressed before the work of decolonisation can begin.
Ahmad Mohammed writes: Sacred objects, ancestral remains, and ritual artifacts remain estranged from the communities that created and cherished them. This condition is what many scholars and practitioners now identify as cultural heritage alienation: the systematic displacement of heritage from its social, spiritual, and cultural lifeworlds into the frameworks of Western curatorial authority. But community control is crucial.
Windsor Castle’s splendour hides a legacy of colonial loot, from Tipu Sultan’s swords to the Koh-i-Noor, raising debates on restitution and justice, Jan Muhammad Shaikh writes.
More and more colonial looted art is returned to the country of origin by European countries and museums, yet millions of precious sculptures, masks and bronzes still remain in the hands of the former colonizer. In the Netherlands alone, hundreds of thousands of artifacts are involved. Why? 'They claim that we can't take care of it ourselves.'
Muhammad Nishat Hussain writes: The 100th anniversary of the first formal excavation at Harappa (Punjab, NE Pakistan) is more than a commemoration of a century-old dig. It is an opportunity to reimagine how Pakistan studies and safeguards its past. Since the 1970s the country has tried to regain lost treasures. In vain.
Nigeria should establish a bilateral negotiating group with Germany on reparations to pay for its crimes against humanity, comprising the indigenous peoples of Nigeria and other African nations. Not as charity, but as a binding act of justice and a guarantee that such atrocities will never be repeated.
Tilda Gladwell likes to divert your attention from news of war and geopolitical instability for just a moment to an equally pressing issue: the decades-long debate concerning repatriation.
The Ethnographic Museum Zagreb presents the exhibition “Travellers” – Collection of Non-European Cultures, tracing the journeys of people and objects from colonial times to the present day.
Join us on Sept 16 | 16:00–21:30 | Kulturhaus Brotfabrik - World Premieres of Eternos Retornos and other films, with installations by Repatriates, and a dinner ritual inspired by the counter vibration physics of the headdress. This is more than art. It is a call to return what was taken.
In 2021, the University of Aberdeen returned a looted Benin object to the Oba of Benin, becoming the first UK institution to agree to an unconditional return. Neil Curtis [University of Aberdeen] outlines the process of giving back a pillaged object without a repatriation request being made.
Jongsok Kim wrote this open access book in 2018, but it is still very relevant for our discussion. With legal and historical perspectives. Some case-studies about restitution are noteworthy.
Restitutions of colonial loot by Japan to former colonial possessions? Yes, that has happened and is still happening: manuscripts and objects to South Korea and China, ancestral remains to groups within Japan’s own borders. News about it is quite rare. What is actually known about the colonial collections and restitution practice of this former colonial power in the Far East?
Two pou - ornate carvings - that have been in the South Australian Museum's collection for more than 130 years are now destined for New Zealand after a ceremony in Adelaide on Tuesday.
[ in Dutch ] The objects come from a private collection of the descendants of doctor and amateur archaeologist Dr. Hans Feriz. In her will, his daughter had stipulated that the objects collected by her father in the past would be returned to the countries of origin.
In 2013, the AfricaMuseum near Brussels closed its doors and embarked on a major redesign. The architectural changes must have felt less challenging than the long overdue re-evaluation of the holdings and their presentation. Jeremy Harding reports.
Palmanova paid USD$17,340 for the object. But when it was sent by Fedex to Melbourne, it was seized under the Protection of Movable Cultural Heritage Act. And now, the High Court found the artefact was subject to forfeiture, because it is protected.
The objects, comprising spears, spear throwers and a club, were collected in the late 19th and early 20th centuries and have been held in the museum’s collection for decades.
According to Darius Spierman, France has begun a significant process of confronting its colonial history. This includes the recent return of human remains to Madagascar and a draft restitution bill.
The Japanese civic group, Movement for the Repatriation of Chinese Cultural Properties, urges the Japanese government to return looted Chinese cultural relics, the Chinese Global Times reports. Japan conducted archaeological surveys in China during wartime and later transported their "findings" to Japan under the guise of "academic research."
For several years, Bristol Museum and Art Gallery and the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) have been discussing returns of cultural heritage to Australia. This event will reflect on those discussions with community members and AIATSIS staff.
[ in Dutch ] How are Belgium and the Netherlands dealing with the sensitive issue of returning looted art and researching its colonial origins? An exploration of some treacherous areas in the quagmire of new Dutch and Belgian restitution policy. A discussion between museum director Wayne Modest and activist Nadia Nsayi.
[ French translation ] La France débat actuellement de la création d’un cadre juridique pour la restitution des collections publiques historiques, principalement d’origine coloniale. La Belgique dispose déjà d’une telle loi. Ce court article propose une comparaison entre les deux dispositifs – la loi belge et le projet de loi français – en se concentrant sur trois points :
• l’approche centrée sur l’État,
• le champ d’application,
• la procédure de restitution.
Reclaiming stolen artefacts: Africa’s landmark museum at the heart of global discussion about restitution.
Senegal’s Museum of Black Civilisations is asserting Africa’s right to secure its cultural heritage and tell its own story.
Museums hold thousands of ‘things’ from all around the world. In larger institutions like Te Papa, the histories of these ‘things’ are not always known. This blog is looking at ways to start recovering these lost stories and histories.
Kwame Opoku writes: The French Minister of Culture presented a legislative text on 30 July to facilitate the restitution of artefacts in French museums by derogating from the principle of inalienability. It will not likely lead to a rush of restitutions from France. Excluding archaeological materials, military materials, and public records eliminates many objects. Archaeological finds from Egypt, Mali, and other African countries, such as those on the ICOM Red Lists, would be excluded.
This open access book (only after 10 - 14 days) offers a unique perspective on the return of cultural objects by considering the aftermath of the handover processes.
[ English ] The exhibition "Benin Dues" --> Guided Tour in English with curator Alice Hertzog on 24 August 2025
[ German ] Vom Umgang mit historisch belastetem Kulturerbe – in Ethnologie und Recht on 30 September 2025
This paper is the outcome of joint reflections by the two authors, based in Europe and in Africa. Since the diverse practices of restitution have attracted more attention than certain concepts related to it, this paper addresses this imbalance by focusing on conceptual issues.
The article 'Journey of No Return: The Impact of Looted Heritage on Nigeria’s Cultural Legacy' explores the profound impact of looted heritage on Nigeria’s cultural legacy, highlighting the historical, cultural, and economic implications of the plundered artifacts.
[ in English and in French ] The French government has proposed a restitution law. After Belgium, it is the second former European colonial power to do so. Such a law streamlines restitution procedures and offers former colonies more clarity and even legal certainty. This blog discusses the draft-bill and examines whether countries of origin will benefit much from it.
Officials from Canadian Heritage have confirmed the federal government has neither the means nor the ability to acquire any of the estimated 4,400 items in the Hudson Bay Company’s (HBC) collection of art and artifacts.
[ in Spanish ] This special issue of Revista Memorias Disidentes shows debates and reflections on restitution, repatriation, return and reburial of ancestors in South America.
The Indian government has secured the repatriation of ancient gem relics linked to the Buddha’s remains, two months after it halted their auction in Hong Kong. Indian prime minister, Narendra Modi, said the return of the Piprahwa gems after 127 years was “a joyous day for our cultural heritage”.
Leading academic, Gloria Bell, argues that the Vatican is not only stalling on Pope Francis’ promises of restoring the looted artifacts — but continues to falsely 'refer to everything in their collection as a ‘gift.’
On 7 July 2025, the French National Assembly has approved the restitution to Ivory Coast of the Djidji Ayôkwê, an important talking drum, stolen in 1916. In the same period, the British Museum came with a statement that it is unwilling to restitute an equally important drum to the Pokomo council of elders in Kenya.
France's parliament approves returning to Ivory Coast a "talking drum" that colonial troops took from the Ebrie tribe in 1916, in the latest boost to the repatriation of colonial spoils.
High-profile figures, including the former UK Prime Minister Liz Truss, have written a letter criticising what it claims is an “accelerating” campaign to return the Parthenon Marbles from the British Museum to Greece.
Hudson’s Bay Company, North America's oldest company, faces bankruptcy and wants to auction objects amassed from its founding in 1670, but it includes many important pieces of Canada’s First Nations and colonial heritage.
Thomas Fues writes: In an historic breakthrough for German restitution policy on colonial contexts, Cameroon’s official Restitution Committee has agreed upon the return of colonially appropriated cultural heritage in September 2025. Four German museums are involved.
The Museum of Fine Arts, Boston (MFA), today returned two works of art from the Benin Kingdom to His Royal Majesty Omo N’Oba Ewuare II, Oba of Benin, in a ceremony at the Nigeria House in New York City.
The path to true restitution requires more than symbolic gestures, demanding that Britain repeal its obstructive laws, France accelerate its glacial restitution process, and all former colonial powers establish transparent frameworks for repatriation.
The Tsilhqot’in National Government has launched its first major repatriation exhibit at the Museum of Vancouver, following the return of over 60 ancestral belongings—including baskets, tools, and cultural items—that had been held in museums and private collections for more than a century.
Gov. Greg Gianforte last week finalized Montana’s two-year budget, which contains several new investments for Indian Country, including a historic increase in funding for tribal colleges and money devoted to repatriation efforts.
Indigenous artefacts will be returned to their ancestral home on Mornington Island in Queensland's Gulf of Carpentaria. More than 3,000 kilometres away in Victoria, Baw Baw Shire staff uncovered the 37 articles in storage.
Hotel Drouot has auctioned off three Benin objects, without guaranteeing that they are not related to the British invasion of the Kingdom of Benin in 1897. The provenance only goes to the 1950s and 1960s. It also auctioned Nok and Sokoto objects from Nigeria, both of which are on ICOM's Red List for West Africa.
[ in Dutch ] Daantje van de Linde delves into the history of a power statue that has been called the face of the World Museum Rotterdam's Africa collection. Her conclusion: case of involuntary loss of possession.
Nigeria has received 119 Benin Bronzes from the Netherlands — the largest physical repatriation of looted artefacts since the 1897 British invasion of the Benin Kingdom. According to an expert, some of the pieces date back to between the 14th and 16th century.
Catharine Titi examines the history of a series of objects in the museum's possession that are currently being claimed by their countries of origin and reviews the institution's inadequate response to the repatriation debate.
Benin Digital mentions two objects in Portugal, one of which is in the Sociedade de Geografia de Lisboa. Sofia Lovegrove Pereira sends a podcast [ in Portuguese ], Reparacoes historicas - Preterito imperfeito (28 08 2023), which argues that the Sociedade has indeed one on display but another 76 in store.
'Mobile Heritage' explores how diverse digital technologies have allowed for new types of mobilities and introduced a novel set of practices, interventions, and politics for heritage collections, archives, exhibitions, entertainment, conservation, management, commerce, education, restitution, activism, and regulation. With a case-study about digitalised ancient manuscripts from Ethiopia in the British Library.
[ in Dutch ] Tervurologie sets its sights on the AfricaMuseum and radically bets on imagination - to think new Tervurens, plural. Not as escape, but as intervention. Not as recovery, but as restart. Not as an answer, but as another question. Tervurologie is an attempt at exorcism.
Since 2018, the Association on American Indian Affairs has monitored 1,159 auction houses worldwide and provided auction alerts regarding the sale of sensitive cultural heritage. The Association’s work to monitor domestic and international auctions help fill this gap by identifying and reporting items that may warrant repatriation. The alerts have been shown to stop improper sales and support the return of important items.
A diaspora group discovers an object in the Wereldmuseum Amsterdam’s collection that the village of origin in Indonesia dearly misses. As it belongs to the Dutch national collection, its return requires the signature of the minister of Education, Culture and Science. But he only signs if the Indonesian minister of Culture supports the claim. After return, the latter must decide whether to deviate from the policy that returned objects are kept at the Museum Nasional Indonesia in Jakarta. Only then can the object go back to its village of origin. An interim report about a journey whose outcome no one yet knows.
According to the Greek newspaper Kathimerini, the Greek Government and the British Museum have made substantial headway in discussions regarding the Parthenon Sculptures.
This article postulates that what we have seen in the past decade has been a turning point in memory politics of the colonial past, and it asks whether a new Franco-German paradigm in memory politics has emerged?
Southern Africa is spearheading a transformative shift in the restitution discourse. This shift means reframing restitution as an act of healing, justice, and empowerment for communities still grappling with the enduring scars of historical dispossession.
[ in Portuguese ] A 15-point action plan is the most tangible proposal put forward by the working group in a report on “sensitive heritage” at the University of Coimbra. Among the actions consists are “identifying and systematizing all the ‘sensitive heritage’ of UC”, the adoption of principles on dealing with them, legislation for restitution and the repatriation of a skull collection to Timor Leste.
[ in Italian ] From the dawn of Italian exploration in Africa and throughout the colonial period, objects and samples from overseas came to the Peninsula, finding their way into temporary exhibitions and more than one hundred permanent displays, where they were studied, described and presented to the public.
Minister of Culture Fadli Zon announced significant progress in repatriating Indonesian cultural artifacts from the Netherlands after bilateral talks with the Dutch Colonial Collections Committee (CCC) in Jakarta.
Within the national museum context, the Repatriasi exhibition risks becoming a missed opportunity to critically engage with the afterlives of returned objects, beyond marking their physical return.
Experts in Basel have found four plant collections belonging to the two naturalists Fritz and Paul Sarasin that were thought to be lost. Until now, scientists had assumed that these pocket herbaria were destroyed in Berlin during the Second World War.
Pope Francis promised to return artifacts to communities in Canada, but several years on, they remain in the Vatican’s museums and storage vaults. Recently, Canadian Prime Minister Mark Carney discussed the return in a meeting with Canadian Catholic Cardinals.
Adéwolé Faladé, PhD candidate in History at the Central European University (CEU) in Vienna, highlights and analyzes the traces left by the 26 repatriated artefacts by France to the Republic of Benin in 2021.
Half of the 11 returned objects to the Larrakia community in Northern Australia first arrived at the Fowler Museum in 1965 through a large donation from the Wellcome Trust.
In a historic handover event at the Fowler Museum in California, USA, a collection of 11 objects of deep cultural significance were unconditionally returned to the Larrakia Community of the Northern Territory in Australia.
The House of Ni’isjoohl Memorial Pole, stolen in the 1920s, was rematriated from National Museums Scotland (NMS) in 2023. Noxs Ts’aawit (Dr. Amy Parent) of The Nisga’a Nation and Dr. John Giblin from NMS outline the process of international cooperation.
In her book 'Colonial Ambitions and Collecting Anxieties: Aboriginal Objects and Western Australian Frontiers, 1828–1914' Nicola Froggatt assesses how non-Aboriginal collectors understood Aboriginal objects, and what this reveals about colonial relationships, anxieties and ambitions.
At the global Museum & Heritage Awards 2025 the Pitt Rivers Museum won Partnership of the Year for the Maasai Living Cultures Project. The annual award celebrates the best in the world of museums, galleries plus cultural heritage visitor attractions.
(Re)collecting Natural History in Europe is a research project that examines how natural history and ethnographic collections are curated and displayed, with a particular focus on European museums.
In Benin, a 'kataklè' – a ceremonial stool, and the final piece of the royal treasure of Abomey – has been returned by Finland, 133 years after being looted by French troops and later transferred to the National Museum of Finland. It began with an investigation by a Radio France International (RFI) journalist.
The paper 'Nkali and Kolo-collecting in Eastern Nigeria: interrogating colonial collections of ọfϙ and Ikenga, Igbo objects of sovereignty and authority' explores the changing narratives of Ọfϙ and Ikenga, sacred objects of sovereignty and authority among the Igbo of Eastern Nigeria, currently in the Museum of Archaeology and Anthropology (MAA), University of Cambridge (UK).
The exhibition explores the current debate surrounding collections gathered during the colonial period and the question of restitution. Visitors not only learn about the provenance of cultural objects but also to reflect on ownership, value, and the ethical implications of a colonial history that continues to resonate in museum collections today. [ English version and Dutch version ]
British Culture Secretary Lisa Nandy: “In the arts and creative industries, Britain and India lead the world and I look forward to this agreement opening up fresh opportunities for collaboration, innovation and economic growth for our artists, cultural institutions and creative businesses." (Not a single word about restitution)
Zainab Tahir: The Marine Heritage Gallery, a gallery managed by the Ministry of Marine Affairs and Fisheries in Jakarta, sparked conversation about the complexities surrounding the display of three thousand commercially salvaged artefacts.
The Museum of Fine Arts (MFA) in Boston returned 27 Benin objects to Robert Lehman, from whom it had received them on loan. Kwame Opoku: The museum's attempt to keep up an ethical image is not convincing.
[ in French ] France Culture interviews historian Benjamin Storashares about some of the issues with the restitution of documents and objects that were looted during the 1950's war of independence of Algeria.
A 1000-year-old statue of the Boddhisattva Guan Yin lives in The British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government.
This gold crown with stunningly delicate filigree belonged to Emperor Tewodros II, the King of Kings of Abyssinia. It was the most remarkable artefact looted during the British Army’s 1868 siege of Maqdala, the king’s hilltop fortress capital.
Two centuries to the day after France imposed a crippling debt on Haiti in exchange for its independence, a UN forum has heard calls for the restitution of what has long been described as a “ransom” extorted under the threat of force from the Caribbean nation that still bears the scars of colonialism and slavery.
Pope Francis died on April 20 at 88, marking the end of an epoch for the Catholic Church and the beginning of its search for the next spiritual leader, who will also become proprietor of the Vatican’s library and vast art collection.
The repatriation of African art is gaining momentum, but a number of highly important and symbolic pieces remain in the hands of the continent’s former colonisers.
Dan Hicks' 'Every Monument Will Fall - A Story of Remembering and Forgetting' reappraises how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past.
In an unprecedented move for a United States arts institution, the Museum of Fine Arts, Boston, will return a promised gift of Benin Bronzes to collector Robert Owen Lehman and close the collection’s dedicated gallery on April 28.
The Paris museum has invited African researchers to study the archives of the expedition, which took place between 1931 and 1933, and to carry out field studies to retrace the conditions of the undercover raid on artifacts.
The Mexican Ministries of Foreign Affairs and Culture, through the Legal Advisor’s Office and the National Institute of Anthropology and History (INAH), welcome the restitution of 915 cultural artifacts belonging to the nation's heritage.
At Galeria Avenida da Índia in Lisbon, Uriel Orlow’s exhibition Memória Colateral unfolds like a sensory mapping of historical violence and of how memory is inscribed – or erased – within Western structures.
Te Papa collection manager and kaitiaki taonga Moana Parata brings home a precious taonga, a raranga vest collected by Carl Freeze, an American Mormon missionary in the early 1900s.
Markus Scholz discusses the missionary practice and ideas of the Bavarian Capuchins among the Mapuche in Araucanía in south Chile from 1895–1896 onwards. Distinguishing themselves as defenders of Indigenous land rights and as linguistic experts on the Mapuche language, they also assembled a rich collection of ethnographic artifacts and natural specimens, which could be problematic today. [ open access ]
A European art collector challenged Conan Cheong's commendation of the Dutch Government’s return of the Singhosari stone Bhairava, Nandi, Ganesha and Brahma statues to Indonesia the year before.
The Leiden University Medical Centre (LUMC) has established a committee to investigate what part of the current collection has a connection to the former colonies or slavery past. Based on this investigation, the committee will issue a recommendation at a later date.
Resistance hero Ras Desta Damtew was executed by Italian fascists in 1937, after which some of his belongings are believed to have been stolen. Now his grandchildren and the Ethiopian government are fighting to bring them home.
Algeria submitted a list of items held by France since the colonial era in order to restore them as part of the joint memory committee to look into that historical period.
The African Union (AU) has said that the Year of Reparations 2025 is about economic liberation and ending Africa’s systemic wealth drain. Onyekachi Wambu writes: 'Restitution is a key part of the agenda. it has been explicitly mentioned in all the AU related reparations meeting I have attended.'
Muhammad Nishat Hussain explores how Pakistan has been doubly deprived of its cultural heritage, first through British colonial looting and later through India's post-Partition retention of thousands of artifacts.
[ simultaneous translation into German, French and English ] 'Hidden paths and emerging networks - Provenance research between memory and responsibility' is the title of the event on the occasion of the 7th International Research Day on the Provenance of Cultural Objects, the Franco-German Research Fund on the Provenance of Sub-Saharan African Objects invites leading scientists and experts working at the intersection of provenance research, restitution issues and museum practices.
The British Museum has welcomed a new slate of trustees, including Dr. Tiffany Jenkins, an academic and author staunchly opposed to returning stolen antiquities like the Parthenon Marbles.
Julien Volper argues that the Netherlands practises double standards when it comes to restitution. On the one hand, the country returns 119 Benin objects to Nigeria. On the other, it was reluctant to return to Belgium parts of a 16th-century altarpiece by Pasquier Borman, stolen from a church of in Boussu (Belgium) in 1914, and it cut back its international assistance to the global south.
[ conference in French ] Germany, Benin, Cameroon, Ghana, Greece, France, Ivory Coast, Mali, Sénégal, Switzerland - Academics, activists, artists, experts from communities and museum actors debate the future of museums in Africa and in Europe.
A ceremony took place in the Leiden World Museum around the restitution of the heritage of the Ysleta del Sur Pueblo tribe. It is the first time the Netherlands has returned objects to the United States. „The healing process can now begin.”
Until 25 May 2025, the Louvre Abu Dhabi unveils 'Kings and Queens of Africa: Forms and Figures of Power', an exhibition celebrating 350 works of African art and majesty, most of them on loan from Musée Du Quai Branly-Jacques Chirac. Is this a manner to postpone their restitution?
The Tasmanian Aboriginal Centre and The Hunterian at the University of Glasgow have announced the repatriation of a rare shell necklace from The Hunterian collection in Glasgow to its home in Tasmania.
This article presents recent provenance research on the Indigenous ancestral human remains gathered by Alphonse Louis Pinart (1852-1911) during his journey in Oceania on board the French navy cruiser Le Seignelay.
[ in French ] Study day organised as part of the PRD-ARES project (ULB-UNILU-UCLouvain) ‘Towards the psychosocial reappropriation and resocialisation by the source-communities of Katanga of the remains of former soldiers to be repatriated and the cultural objects to be recovered’.
When repatriation has been largely framed within nation-state contexts, what does it mean to truly foster inclusivity in this process? Is it essential to involve the communities directly affected for such inclusivity to be achieved? What insights can we gain from community-led repatriations regarding local priorities, needs, and cultural practices?
Tristam Hunt, director V&A Museum, discusses the contradictory state of the restitution debate in Great Britain (GB): on the one hand, a quickening rhythm of returns from university and regional museums and on the other, continued confusion around deaccessioning contested objects from national collections such as the V&A and British Museum (BM).
[ open access ] This Special Issue of UMAC Journal has a Guidance for restitution and return of items from university collections and interesting contributions about ancestral remains in these collections.
The collection of the Musée des Rois Bamoun (MRB, Museum of the Bamoun Kings), located in Foumban in Cameroon’s West Region, testifies to the richness and diversity of the Bamoun Kingdom’s art, culture, and history.
RM* saw reports from AP, Hyperallergic, DutchNews, Jerusalem Post, ArtDependence, Punch, Arise, Voice of Alexandria, Devdiscours, Pinnacle Gazette and AllAfrica.
The British Museum has come under fresh pressure to hand over its Benin Bronzes after the Netherlands returned more than 100 of the artefacts to Nigeria.
The volume offers new findings on the historical and current significance of artifacts and highlights the current dialogue with partners from Nigeria and the diaspora, reflecting on the methods of cooperative research and the future of the objects currently kept in Swiss collections.
The desire of Pope Francis to right a wrong has led to the official return to Greece from the Vatican of three ornately carved fragments that once adorned the Parthenon.
Art historian Nana Oforiatta Ayim criticises Western voices for still dominating the restitution discourse, ‘whether they are directors, academics or curators. She rarely hears the voices from whom the objects were taken.
At the request of Nigeria, the Netherlands returns 119 ‘Benin Bronzes’ to Nigeria, 113 from the National Collection and six owned by the Rotterdam municipality. [Later this week, RM* will add the relevant links].
The National Commission for Museums and Monuments (NCMM) with the support of the Federal Ministry of Art, culture , tourism and the creative economy signed a historic management agreement with the Oba of Benin, Omo N’Oba N’Edo Uku Akpolokpolo Ewuare II at the Royal Palace in Benin..
[ open access ] 'Displacing and Displaying the Objects of Others - The Materiality of Identity and Depots of Global History' brings a diverse range of contributions inspired by research from the "Hamburg’s (post-)colonial legacy" research center.
The centuries-old African artifacts housed in European institutions and that are worth billions of dollars should be returned to the rightful owners, Global Black Centre (GBC) Vice President and the prominent historian Robin Walker said.
[ in German, in English ] The German government has again defended the return of the Benin bronzes to Nigeria. It was good and right to return them without conditions. Nigeria can decide where they stay, said the parliamentary state secretary in the foreign office, Müntefering, in the Bundestag.
In the late 1800s, Andreas Reischek, an Austrian scientist, robbed Māori graves and plundered Māori artefacts for his private collection. More than 140 years later, officials of the Austrian government have been repatriating what Reischek looted.
The focus of the campaign is on the process of retrieval of antiquities through bilateral cooperation and partnership, in a manner consistent with existing international arrangements. Great Britain has the most extensive collections.
A foundational handbook for critical heritage research about Africa and its diaspora. Part III African Objects and the Global Museum-Scape is relevant for RM*.
Collections in private hands and the trade can contain important objects, while no one has a grip on them. An example is the 18th-century sword stolen by British troops from Seringapatam in India that was featured at the Bonhams auction on May 23rd, 2023.
Germany had hoped that by returning 20 Benin Bronzes to Nigeria last year it was “healing the wounds” of colonialism. But when it emerged that ownership of the repatriated objects will pass to the king of Benin rather than the Nigerian state, Berlin found itself facing a public relations nightmare.
The report offers an overview of the restitutions and claims processed in the Netherlands until recently, and the legal framework in which they took place.
The State-centric discourse that surrounds Indonesia’s cultural heritage protection and repatriation policies impede locally-led activism related to cultural heritage.
[ in German, English and French ] German museums of world cultures hold 40,000 objects from Cameroon, more than the entire African collection of the British Museum, according to a new study, presented by Bénédicte Savoy (Technische Universität, Berlin) and Albert Gouaffo (University of Dschang).
This article explores the ownership of cultural objects within national and traditional customary law in Suriname, with the aim to provide a legal context to the issue of claims for the return of some of these cultural objects from the Netherlands.
In Switzerland, the decolonization of ethnological and historical museums and collections is in progress. This is true in practice, especially by federally funded provenance research projects and by single restitutions of human remains and colonial objects.
Former President Buhari’s decision that Benin objects go back to the Oba of Benin (and thus not to the National Commission for Museums and Monuments [NCMM] or to the government of Edo Sate in which the Benin Kingdom is located) continues to cause unrest.
A long bloody and painful colonisation of Indochina by the French should lead to more antiques to be identified and repatriated in the future.
It will be difficult to get a true handle on just how much the nation has been plundered.
Unlike the British Museum and other UK national museums, the Royal Collection is able to deaccession, provided that this is advised by its trustees and authorised by the monarch. The collection is not owned personally by Charles, but he holds it in trust as sovereign to pass on to his successor.
The German government says it wants to confront the legacy of its colonial rule in Africa. But it is still failing to address issues such as its brutal repression of the Maji Maji uprising in Tanzania.
The question of stolen cultural property during the colonial era is not just one of legality; it is deeply embedded in morality, historical injustice, and the unequal dynamics of power between former colonies and colonisers, argues dr. Naazima Kamardeen.
The Cape Verde President, José Maria Neves, has called on African nations to unite in demanding compensation for the invaluable properties and artifacts stolen from the continent by colonial powers.
[ in French ] The article 'Between Belgian archives and Congolese oral sources in provenance research. The case of the statue of Chief Nkolomonyi at MAS (Belgium)' examines the value of sources in the country of the former coloniser and that of the ex-colonised. It broadens the scope of provenance research.
When Sylvie Vernyuy Njobati saw the sacred statue of her Nso people for the first time, she was shaking. "I was seeing... our founder... our mother locked up in some glass container. And for 120 years, she's been yelling out. She needs to be back home," she told the BBC's The Comb podcast.
Known only as A01392 in the records of the Grassi Museum in Saxony, now the life mask of a Ngāti Toa tupuna has returned to his whenua and people as a taonga.
Germany has handed over to Colombia two masks made by the Indigenous Kogi people that had been in a Berlin museum’s collection for more than a century, another step in the country’s restitution of cultural artifacts as European nations reappraise their colonial-era past. They may have health risks.
This book examines the ways in which law can be used to structure the return of indigenous sacred cultural heritage to indigenous communities, referred to as repatriation in this volume. In particular, it aims at developing legal structures that align repatriation with contemporary international human rights standards.
The Bill of 3 July 2022 to recognize the alienability of goods linked to the Belgian State’s colonial past and to determine a legal framework for their restitution and return (“the Restitution Bill”) puts Belgium at the forefront of international restitutions of colonial collections.
The 1990 Native American Graves and Protection Act (NAGPRA) is generally presented as a breakthrough in favour of First Nations. NAGPRA set up a process by which Native American tribes can request the return of human remains and cultural objects from museums and government agencies, including federally funded universities. How successful has it been in California?
A research project has been conducted with the participation of the museum department and independent researchers regarding 6 such artifacts in the Netherlands and it has been confirmed that all the artifacts were brought from Sri Lanka during the colonial period.
Much ink has been spilled on the Parthenon marbles, mostly on the ethical and cultural merits of their repatriation. But what has generally not been considered are the legal merits of their return in light of contemporary international law.
Objects from the Wereldmuseum Leiden collection to be returned to indigenous tribe in the US. This item contains the announcement by the Dutch government, the report by the Dutch advisory Committee Colonial Collections and reactions from local news stations in El Paso, Texas.
Museum in Koko, Niger Delta, commemorates important exiled merchant prince Nanna Olomu . The restitution focus in Nigeria should not only be on Benin objects.
After receiving a letter from the Thai government, it was not difficult for the Asian Art Museum in San Francisco to determine it was showing looted objects. Before their return the museum holds an exhibition. Is this becoming a trend?
Who owns stolen art? Today on the show, the bloody journey of a Benin Bronze from West Africa to the halls of one of England's most elite universities — a tale of imperialism, betrayal, and the making of the modern world.
The Netherlands and other European countries are developing policies to return objects and ancestral remains appropriated in the colonial period. This offers hope for postcolonial countries to retrieve their lost treasures. Bangladesh should make more use of this opportunity. To begin with, it can claim an object from the Rijksmuseum Amsterdam.
[ in Englis, in French ] The piece brought back by British Captain James Cook in 1771 is said to be the first Oceanian sculpture collected by a European.
With joy and ululation two families from the Loita clan of the Maasai in Narok South received 98 cows from Oxford University for ‘stolen’ cultural artefacts.
Prince Ermias Sahle-Selassie, the grandson of Ethiopia’s last emperor, will ask the universities of Oxford and Cambridge to return artefacts stolen by British soldiers in 1868.
Modern treaties and statutes protecting cultural property apply only prospectively to items stolen or illegally exported after their effective dates. But while the United States does not have a law concerning looted cultural objects taken from formerly colonized peoples overseas, it does have a statute governing the repatriation of Native American cultural items and human remains.
An exquisite diptych which links Albrecht Dürer and Christian Ethiopia is being investigated at the British Museum, raising a fascinating story of cross-cultural links.
A civil rights group in New York, USA, Restitution Study Group, has petitioned the United Kingdom’s Charity Commission to reject the repatriation of looted Benin objects to Nigeria because the West African nation also “profited from slavery.”
According to the National Cultural Heritage Administration, more than 1,800 sets of cultural relics have been returned to China over the past decade.
RM* found two links; sometimes it is hard to open them.
[ in English and in Dutch ] In April 2024, a Netherlands delegation visited Suriname and mapped out which objects are present in Dutch public collections through the colonial history of the Netherlands and Suriname.
Jakarta welcomes the Dutch returns. ‘The return is part of a broader agreement between Indonesia and the Netherlands in 1975. That deal, though, faced many obstacles in its implementation, said Sri Margana, a member of Indonesia’s Repatriation Committee and professor of history at Gadjah Mada University in Yogyakarta.
[ in French ] Just before the major exhibition "Dakar-Djibouti, counter-investigations", scheduled for 2025 at the Musée du quai Branly-Jacques Chirac, in France, Sotheby's is selling part of the collection of the art dealer Hélène The Wolf. A collection built up between the end of the colonial era and the beginning of Mali's independence.
A YouGov poll, commissioned by the Parthenon Project, suggests the majority of Brits would back returning the sculptures to Greece in a "cultural partnership".
The Rochester Museum in New York and Harvard University return ancestral remains of Native Americans and funerary artifacts to the Oneida Indian Nation.
The Koh-i-Noor diamond, a 106-carat gem that is part of Britain's crown jewels, has been back on public display after initially being absent at Charles III's coronation. The diamond was gifted to Queen Victoria after Britain's East India Company formally annexed the Kingdom of Punjab in 1849.
One of the most preserved among the eleven remaining mantles of the Tupinambá native people will definitely return to Brazil. By the end of 2023, the treasure made with red feathers of the scarlet ibis will leave the ethnographic collection of the Nationalmuseet, the National Museum of Denmark, and will join the collection of the National Museum in Rio de Janeiro.
Joint research on the 1868 Maqdala expedition led us to question assumptions about the legacy of empire in museums and to scrutinise unexpected connections in the history of museum collections.
During the European expansion constant fighting and violence and the taking of spoils of war went hand-in-hand. Palaces, shrines, homesteads and entire villages were plundered and destroyed. In the restitution debate, the focus is mostly on state-collections resulting from these confrontations. There is ample evidence, however, that many more parties were involved. This blogpost has soem of the evidence.
Why is research into colonial collections in the private sector - I mean art dealers, auction houses and private collectors - so tough? The main reasons is that most of them have built a wall around themselves, and there is rarely a hole in this wall through which an outside observer can look inside their closed bulwark.
Why is research into colonial collections in the private sector - I mean art dealers, auction houses and private collectors - so tough? The main reasons is that most of them have built a wall around themselves, and there is rarely a hole in this wall through which an outside observer can look inside their closed bulwark.
Dresden’s museum of world cultures returned four everyday objects to the Kaurna Aboriginal community of Australia at a ceremony in Sydney: the spear, digging stick, cudgel and net were brought to Germany by two protestant missionaries between 1838 and 1839.
Emails leaked to BBC News claim the British Museum was alerted by Ittai Gradel, an antiquities dealer, to items being sold on eBay in 2021, but that it ignored the report.
During the European expansion constant fighting and violence and the taking of spoils of war went hand-in-hand. Palaces, shrines, homesteads and entire villages were plundered and destroyed. In the restitution debate, the focus is mostly on state-collections resulting from these confrontations. There is ample evidence, however, that many more parties were involved. This blogpost has some of the evidence.
Tim Maxwell: Repatriating artefacts found underwater could help former colonial powers meet moral obligations to countries they had historically exploited for their transatlantic slave trade.
Manchester Museum, UK, has handed over 174 items to the Australian Aboriginal Anindilyakwa Community, marking one of the largest restitution projects ever undertaken in the UK.
Museums from Glasgow to Cambridge are proactively repatriating objects. Glasgow has become the first UK museum to repatriate objects to India (“a very emotional event”, as Glaswegians of Indian heritage said).
The Mauritshuis gallery in the Netherlands and the Humboldt Forum in Berlin have joined forces in an exhibition that addresses the looting of art that has sustained European collections for centuries
[ in French or in English ] Provenance research into non-Western heritage in Europe has become a must in the field of museology and cultural policy. Yet no scientific work has yet examined the collections of the Royal Museum for Central Africa in Tervuren (Belgium) in their entirety.
Archaeology in its formative years was often less a meticulous science than an exercise in vandalism. A little-known horror unfolded in the Southwestern United States.
[ in Dutch ] The owner of the museum, the Congregation of the Holy Spirit, wanted the World Museum to admit visitors until the lease expires on December 31, 2024.
[ in French ] President Tshisekedi of DR Congo, currently chair of the African Union, has made restitution priority. It is interesting to read what the Director General of the Kinshasa Academy of Fine Arts, Henri Kalama Akulez, has to say about it.
The semi-documentary sheds light on the Qing Dynasty (1644-1911). Taoist abbot Wang Yuanlu, who was the caretaker of the Mogao Caves (UNESCO World Heritage site) in Dunhuang in Northwest China's Gansu Province, discovered the Library Cave at the site, a repository of over 50,000 items dating back to the 4th to the 11th century.
The Friends of African and African American Art of the Detroit Institute of Arts’ 2023 nominee for the Margaret Herz Demant African Art Award, Dr. Kwame Tua Opoku, is a retired United Nations Legal Advisor and a recognized voice in African repatriations.
The American Alliance of Museums has brought out a special issue Museum as part of a larger project exploring the next horizon of museum practice with regard to voluntary repatriation, restitution, and reparations. The articles in this issue provide a window into practices regarding the Benin-objects, lost items of the Yaqui, voluntary returns, and the application of NAGPRA.
Germany asks forgiveness for 'dark' colonial legacy in Tanzania and discusses repatriation of human remains. German President Frank-Walter Steinmeier said his country would "open negotiations" with Tanzania to discuss the is colonial past in the East African nation.
The Netherlands will physically hand over six Sri Lankan artefacts to Sri Lanka during a two-day event at the Colombo National Museum. All come from the Rijksmuseum Amsterdam, among them is a famous ceremonial cannon of the King of Kandy (captured in 1765).
Among the most intriguing objects in the British Museum is the Asante Ewer, a bronze jug made in England for Richard II in the 1390s, which somehow ended up in West Africa.
In 'The Parthenon Marbles Dispute', Alexander Herman examines the entire contentious history of the Parthenon marbles from their creation up to the famous restitution debate of the present day.
When the southwestern jungles of Colombia were rediscovered by Spanish colonizers in the 18th century, looters arrived looking for gold. Scientists eventually followed to survey, study, and inventory the site.
‘I’m a strong believer that trustees of museum collections should have autonomy over those collections, and be able to make the case whether they should retain them within the UK or loan them to other museums around the world – or indeed begin a conversation around restitution and repatriation.’
British Museum chair George Osborne (and Lord Cameron) criticise Sunak over Parthenon marbles. Osborne says the row gave the Labour Party a line of attack. Rishi Sunak opened the door to a ‘devastating line of attack’ from Labour by snubbing his Greek counterpart, PM
[ in Dutch ] This thesis on the Watson collection shows that even smaller non-ethnographic museums such as the Noordbrabants Museum of art, culture and history have collections from colonial areas.
[ in Dutch ] The problems at the AfricaMuseum in Tervuren are mainly a result of a lack of money. This is what director Bart Ouvry says, who is responding for the first time to the sharp criticism of political scientist and public officer Nadia Nsayi. In a column in De Morgen, she accuses him of toxic behavior, weak leadership and too little eye for diversity.
On August 26, 2016, the Minister of Foreign Affairs and Cooperation of Benin, in a letter to his French counterpart, made an official request calling for the restitution of cultural goods brought back to mainland France by French colonial troops during the conquest of the kingdom of Danhomè. [ in French ]
[ in French ] The auction of an extremely rare African sculpted mask for 4.2 million euros, initially purchased for 150 euros by a second-hand dealer from a French couple, has been validated by the court of Alès (Gard).
Tony Blair considered a “long-term loan” of the Parthenon Marbles to Greece in the hope of support for a London 2012 Olympic Games bid, bypassing the issue of ownership.
The Digital Benin project provides a central place to see artifacts that are now scattered around the Global North. Its organizers hope it will be the first step toward repatriation.
In 1863, Emperor Tewodros II of Abyssinia took a British consul hostage; five years later, the British sent a punitive expedition. This military expedition shaped later campaigns in Sudan and West Africa in the1890s. What was new for Maqdala was the inclusion of a member of staff from the British Museum.
Princess royals Ncedisa Maqoma and Princess Mamtshawe Zukiswa Kona of the Xhosa nation saw in Dublin, for the first time, their ancestor Chief Maqoma’s sacred warrior’s stick, looted and brought to Ireland 150 years ago.
How do we trace the origin of collections? What new insights can be gleaned from these provenances? And what should become of such collections, within and beyond museum walls?
[ in Spanish ] The Spanish Minister of Culture, Ernest Urtasun, has reported to the parliamentarian Commission on Culture about the review of the “colonial framework” carried out in Spanish museums, institutions “anchored in gender or ethnocentric inertia that have often hindered the vision of heritage, the history and artistic legacy”. Conservatives are against.
British Museum and V&A to lend Ghana looted gold and silver. Tristram Hunt, director of the V&A, said the items were the equivalent of “our crown jewels” but added that the three-year was “not restitution by the back door”.
Mirjam Shatanawi's 'Legacies of Colonialism in Museum Collections - The (Un)Making of Indonesian Islam in the Netherlands' tells the untold story of Indonesian Islam in museums: Often overshadowed by Hindu-Buddhist art, Indonesian Islamic heritage rarely receives the attention.
Growing pressure on European museums to return artifacts taken from Southeast Asia during colonial times could provide soft-power benefits for the EU amid attempts to improve its image in the region, analysts say.
During Mongolia’s Minister of Culture, Nomin Chinbat’s visit to Britain, not only the 2027 exhibition Arts of the Mongol World was discussed but also provenance research and restitution. Mongolia’s treasures ‘provide a window on the country’s history and demonstrate the vibrancy and captivating nature of our nomadic culture’.
Who should own Benin objects returned to Nigeria? And what about the Oba of Benin commenting, prior to 2023, that the Benin objects to be returned to Nigeria should be returned to him and not the federal government?
[ in French ] Indonesia is pursuing a process of complete repatriation of cultural works looted during the colonial period. By mid-December, 828 objects had been returned by the Netherlands, according to the Indonesian Heritage Agency.
